What the Hay…Never Tried it Before
It had been a long day. This is where I spent my Wed shooting like a crazy man, challenging my photographic skills, sweating profusely and loving every moment of it. At the end of the day, I wanted a image of my workplace but a simple, single click wouldn’t do. I mean, I had been doing HDR, flash fill VR panos for the past ten hours so why not keep the pain going. So dragged the ladder out into the sun, climbed to the top and did a 16Fish, 5 image HDR, 3 image wide, hand held pano. I mean what the hay…never tried that before.
As my folks learned this past weekend at Photoshop for Shooters, a good realistic HDR starts at the point of capture. It’s all about light, quantity and quality. The reason when I went with a 16Fish pano was because a single click from my vantage point cut off the left wing of the left Mustang and the right wing of the right Mustang. I wanted those wings so I needed to shoot three images across. Why doesn’t it look like a Fisheye shot? The horizon line is running dead center of the frame. And with the addition two image on either side of the main image, some of the bowing at the edges is avoided.
The finishing was pretty straight forward. The HDR was done with Photomatix Pro. The pano was assembled in Photoshop using Photomerge to assemble the three Tifs from Photomatix Pro. A little Nik Tonal Contrast, Darken/Lighten Center and Vivezza to brighten the back two planes and flag and all done. It was actually a whole lot easier to do then I first imagined. But then that’s true for a lot of things in photography. As long as you start with the basics and execute them correctly, it all seems to fall into place.
Photo captured by D3x, 16Fish on Lexar UDMA digital film