Pages Menu
TwitterRssFacebookYoutubeGooglePlus
Categories Menu

on Jul 31, 2012 in Landscape Photography

On the Wish List

Back in the day, one of the things to do was photograph a particular scene four times a year to demonstrate the change of seasons. At the time, I lived on California’s Central Coast where there were only two seasons. So I traveled throughout CA on the look out for a location that had four seasons I could travel to and make the shot. I was particularly looking for a great tree that I could focus on which would have that great fall color for one of the seasons. For over a decade, I was obsessed. And thirty years later, I still don’t have the great scene! This is the closest I’ve come. This lone tree on the edge of Mono Lake has a classic shape, exactly what I was looking for so I started to follow it. The major problem is there is no real spring in the sage and in the fall, there always seems to be a big blow that removes all the leaves before they...

Read More

on Jul 31, 2012 in Just Out!

Want to Know What It’s Like to Shoot the Olympics?

Jeff Cable is at the his first Olympics as the official photographer for the USA Waterpolo Team. He’s not only shooting, but blogging his experience and it’s a great read. Just check out his entry for the life in a day posting! Jeff is doing a great job, check out his...

Read More

on Jul 30, 2012 in Aviation, Moose Cam

#74 Hits the Course

This is the closest we’ll ever get to racing at Reno. In Sept, 2011, my dear friends permitted me to place a GoPro in the cockpit of #74 Super Corsair to create an amazing video. What I have here is just 15min of the 208min process of getting an Unlimited up on the course and back down again. Just what are you seeing here? The video starts with my bud Casey turning on the GoPro just at the start of the process of getting #74 ready for racing. You see Brady getting in #74, #74 being pulled out, gassed and placed on the ramp prior to the race (in the skies is a L-39 show). You’ll then see Robert Odegaard, one of the best pilots out there, get in #74, do the preflight and then taxi. #74 will take to the skies (you can see the GoPro in the still capture above and me taking the photo on take off in the video) and get in place with the...

Read More

on Jul 30, 2012 in Wildlife Photography

I Can’t Get No Respect!

I just think these are the coolest birds, the Turkey Vulture. I am often asked what one critter have I not photographed that I want to. Obviously I’ve photographed the Turkey Vulture but never on a nest. I day a paper presented on these misunderstood birds long ago and say some cool images of their nest life and have always wanted to spend a season at a nest ever since. Where most look at birds like the Robin to signal the coming of spring, I look to the TV migrating up the Eastern Sierra. The one factoid I love about TVs is, they use more calories to perch then they do to fly. That’s pretty darn cool! Then there is that red head, I just love it! It has a very specific biological reason, it’s all about cleanliness. Vultures stick their heads in places where heads shouldn’t go, into gooey, gory, parts of dead things eating stuff that smell alone would knock us off. Because of that, they have...

Read More

on Jul 26, 2012 in B&W Photography, Landscape Photography

Series from the Deck

We are incredible fortunate to live in paradise! As I’ve mentioned probably too many times, summer in the Eastern Sierra is great with our monsoon storms. The clouds just play in the heavens as they float by. For this reason, I’m constantly heading out to the front deck to look up and see what is floating by. My favorite rig is the D4 with 24-70AFS, the format fits perfectly for shooting among the pines in the front. Here’s a series from last evening. What you have here is the out of the D4 Jpeg and the finished PSD file. In this first image, first step in finishing is ACR using my Landscape preset. In Photoshop, the Apsens in the dead center of the frame were replaced with the Clone Tool with fir as in the rest of the frame. Then the image was run through Silver Efex Pro 2 and finished with Pro Contrast in Nik’s Color Efex 4. The entire finishing process took less than two minutes. This...

Read More