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on Oct 11, 2017 in Landscape Photography

Dehaze for Fall … Say What?

So we were shooting at Kent Pond at this hillside across the pond that had great color and texture but the light was, nasty! Not only the light was high in the sky, it was shooting through the thinnest of cloud cover. It had a haze to it so I took the shot wondering if, if since it had a “haze” if Dehaze in ACR might not help. Whenever I have an “if” moment in photography, I tend to follow it until it blows up in my face, or has a promising outcome to move forward. Well … Above you can see the outcome and it ain’t too bad! The bottom photo is what was captured and the top is the Dehaze afterwards. Like normal, whenever I use Dehaze I move the Blue Saturation slider down to desaturate the blur (HSL Panel ACR). But with this kind of light hitting the fall color, the Dehaze slider did a nice job. Who would have thunk...

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on Oct 3, 2017 in Landscape Photography

Scale by Focal Length

Clouds are such an easy subject to bring wow to your photograph. Now because clouds are so universal, everyone can relate to them. This can be a good or bad thing depending on how you bring them to life in your photograph. This is because we’ve all seen amazing cloud formations sometime in our life. The key here that many miss in their photographs are the relationship of the clouds with the earth. Remove the earth and they are just big white cotton balls and a lot of their drama and wow evaporates. So therein lies our photographic challenge. This is where the landscape becomes so important to our clouds! The clouds need a visual anchor, a means to compare their size with something that we can relate to yet be so insignificant that visually we don’t give them any importance. This is where lens selection plays such a huge role in the photograph. Capturing the right slice of the earth and at the same time bring drama and...

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on Sep 20, 2017 in Landscape Photography

The Heritage of the Landscape

Ever since I arrived on The Palouse, the one overwhelming feeling I have is, “How do they do it?” The love and dedication the generations of farmers have had to have to make this landscape what it is and produce the grain they do is staggering! And they are only the 5th largest wheat producer in the USA! It’s on a scale that is beyond my comprehension. Even more is just how infrequently you see a home, barn, farm machine. We came around a corner and found this old barn all by itself in the hills and with the clouds, just had to stop and make its portrait. Looking through the D850 / 14-24 I so wondered its story, the good and bad times it’s seen, the snowstorms and blistering summer heat. If only it could talk, I’d sit and listen...

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on Sep 19, 2017 in Landscape Photography

The Long Landscape

The Palouse continues to be a spectacular tapestry providing amazing patterns and textures at every turn! There are said to be over 3k square miles of this rolling hills and I plan on seeing as much of it as I can. Now the challenge is how to bring what I’m seeing and feeling back in my photographs to share with you! As I mentioned in my Podcast51, the Long landscape is just one way I plan on doing this. It’s in principle really simple using the D850 & 80-400VRII as the cornerstone. It all starts by seeing the pattern, texture, alure of the Palouse with your imagination. Next is to pull out the tools which include camera gear, proper long lens technique and Digital Darkroom knowledge to frame up that photograph in the viewfinder. Now, why is digital darkroom in this equation? Because some finishing is required to bring out some drama in the clouds and you need to know that before you go click to help with the...

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on Sep 8, 2017 in Landscape Photography, Digital Darkroom

Removing the “Fish”

The 180degree view of the Fisheye lens like the 16Fish or 8-15Fish can be stunning and essential to a visual story. At the same time, the natural “curve” the Fish can create might be desired. Here’s a simple digital darkroom lesson how to deal with it. Keep in mind everything was done at the time of capture to “plumb” the subject at the time of capture. That makes a difference in the digital...

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on Aug 21, 2017 in Landscape Photography

St Mary’s at Dover

On our final day in the UK, we saved what we figured would be the best for last, the Dover Castle. It did not disappoint! One of the first stops has you walk through this massive and incredibly impressive piece of history is the St Mary’s Church that just happens to be next to an AD1000 Roman lighthouse. These structures from the outside are so majestic perched on the hillside commanding a spectacular view of Dover, the English Channel and France in the distance! Taking photos was soooo easy, the subject did all the heavy lifting! Since landing on English soil, I’ve posted many a “light” photograph on my Instagram account. I’ve received a whole lot of emails asking me how I’m taking these “great” photos? It’s actually really easy. It starts with the gear I’m shooting with, the Df / 8-15Fish. The Df works wonders IMHO in low light, I’m often shooting at ISO 1600. Then the nature of a Fish taking in so much area like the...

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