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on Aug 6, 2012 in Moose Cam

A Moment with Sierra Lightning

Saturday night we had the makings of a thunderstorm actually producing some much needed rain. By sunset, nothing. Then I thought I saw a flash but never heard any thunder. Forty minutes later the fast moving storm had gone north past us. Using the iPad app Radar, I saw the track of the storm to be right over the house so I grabbed the D4, 24f1.4 AFS and tripod and went out on the deck and waited. I got outside and just set up when the first “close” claps began. Just then it started to pour so wimping out, I went inside. Once inside (and back to the Olympics) I switched out lenses to the 50f1.4AFS because I could see less of the sky. My settings were basic night lightning settings, ISO100, 8sec f/4 – f/5.6, Manual Focus, Flash WB (so the house lights would be warm). I attached the MC-36 and while watching the Olympics, every time I heard the shutter close, I depressed the shutter release. And...

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on Jul 23, 2012 in Camera Tech, Just Out!

The Box – eMotimo – Whole New Box!

One of my favorite tools just got a whole lot better! “The Box” as I call it, eMotimo has a whole new look built upon what was an already great platform. The first think you’ll notice is the entire massive beef up of the pan/tilt/time lapse mechanism. This provides incredible stability, flexibility and smooth as silk operation to hold the beefiest camera. The joy stick now operates via Bluetooh. And the programming software in The Box is improved and with more features. I decided to do a little test to prove my point. Pages are in the process of being updated. In the meantime you can watch our videos on our YouTube Channel as well as all Videos are available on iTunes as Podcasts! i set the The Box to run all day during a thunderstorm. The D4 w/50f1.4AFS was set up and left running through the wind, rain & hail capturing 1294 Jpegs over 10.5 hours. The unit was covered with the LensCoat Raincoat to keep the rain...

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on Jun 28, 2012 in Landscape Photography

Simply Took my Breath Away!

The Great Hall at the Nat’l Cowboy & Western Heritage Museum is simply amazing! The huge murals, one in each corner are simply spectacular! This one of lower Yellowstone Falls is one I would love to have in my house, if it was the size of s football field. After asking a museum volunteer if I could shoot in the room and being told it was OK (a big function was going on), I started thinking. I wanted to show that size in the photo, how do you do that? Gotta have something for scale and there is nothing better than a person. Going to the other side of the room, I shot with the 50f1.4AFS to keep lines as straight as possible. Then I had Sharon stand as you see her with a gesture saying one thing about viewing these gorgeous paintings. Then we had Chris stand as you see him here with a totally different body gesture making a totally different statement. I really like them both,...

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on Jun 28, 2012 in Landscape Photography

Nat’l Cowboy & Western Heritage Museum

If you are a lover of light, if you want to improve your landscape photography, it you want to be transported back to a different time, you must go to the Nat’l Cowboy & Western Heritage Museum in Oklahoma City, OK. My good bud Kevin took us there while we were in Wichita and I’m so glad he did! This is a marvelous place we spent four hours touring, taking in our heritage and the art celebrating it! Being partly a art museum, there are places where you can’t take pictures and that’s the way it should be. You should take hours just looking at the landscapes and the way they paint the light falling on it. Some of my favorite paintings are hanging on these walls, the originals that you can just stand there and take in. There are oils, watercolors, pencil, bronze, just a marvelous collection to get lost in. Then there is the western native American art section which is spectacular (you see here). Then you...

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on Mar 28, 2012 in Camera Gear Posts

“The General”

The Photoshop World precon was not only a great event, but provided a great field testing site for the D4. Starting with light that wasn’t great, I was able to see just what the D4 could do for me. The General was more then happy to be the guinea pig for my testing. I started off by getting past my own issues with photographing people. I’m simply not comfortable walking up to a stranger, talk to them and convince them they should let me photograph them. The General and I locked eyes and I took that as a opening to introduce myself and photograph him. Though the light was really nasty, under the tent flap it was very diffused and perfect. With the 50f1.4AFS attached, I shot at f1.4 and made some clicks. I actually like them too. The General noticed the motordrive sound of the D4. It is distinct and when it’s rippin, you can’t miss it. He could pick me out of the crowd. I moved out...

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