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Photographing Alaska's
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Reprint from Nov '99 BT Journal
Alaska has a number of big mammal species that I want to get to know better (and photograph) with the Grizzly Bear definitely at the top of that list. While science categorizes grizzlies into just a couple of species, with my limited exposure to them, I like to think of the grizzly a little differently than science does. This B News article is about the group of Alaskan Grizzlies that I think of as the coastal grizzly. These are the grizzlies that make their home in the coastal stretches along the Alaskan Range, the west side of Cook Inlet. Now by no means am I going to pass myself off as a Grizzly Bear expert, having thousands of hours of observation time under my belt. What I have to offer you are insights that I've gathered after a couple of weeks of daily observation and photography of coastal grizzly bears. I was amongst two dozen individual Grizzly Bears and at times just feet away from them. I went on my adventure with all sorts of thoughts, stories and myths about grizzlies in my head, many the same ones you might have. But the experiences I had dashed the myths surrounding these magnificent creatures. It's my hope to enlighten you about these gentle giants, enticing you to come to Alaska and experience for yourself the coastal grizzlies! The "myth" I went to Alaska with that I think a lot of others have is that getting physically close to a grizzly is like courting death. When another photographer told me that his headshot of a grizzly was taken with an 80-200f2.8 lens, I was in awe, thinking that getting that close was living on the edge to say the least. Photographing grizzlies in socially uptight locales like Brooks Camp or McNeil River where there are lots of grizzlies in a small space, getting physically close is probably not a wise thing to do. There are too many "bear things" going on that we humans just can't see or know about all the time. But in situations where grizzlies are doing grizzly things in wide open spaces without other "bear pressures", getting physically close is not life threatening. In fact, being just a few feet from an 800lb sow and three cubs is one of the most exciting wildlife experiences this old photographer has ever done in his life! Like all articles I've written where I've stressed understanding basic biology, photographing grizzlies more than any other species, depends on basic biological knowledge. Much of what I have to share with you I first read in biological reports, having the biology lessons reinforced by personal observation. I had a 900lb male griz run at me from more than one hundred yards out. He ended up passing by me still in a run by less than ten feet (yes, I was shooting the entire time). Being able to experience and distinguish that bear's behavior as running and not charging was personally and photographically rewarding! But it's that kind of basic biological understandings I'm stressing folks have so they experience the rewards of Grizzly Bear photography. (Please understand that photographers are seemingly killed each year by grizzly attacks, yet most of the time the fatalities are because of the photographer's ignorance and not grizzly aggression.) Coastal grizzlies have two main foraging strategies, grazing and fishing. Both of these strategies offer great bear viewing and photography. Understanding what you're seeing and being able to capture the best possible photograph relies directly, in my opinion, on your knowledge of what you're seeing in the viewfinder. Let this be the start of your bear lessons. The Grazers
The sea of green sedges, covering many coastal beachhead stretches
attracts bears from all over the region. The lush, new growth of these
grasses, believe it or not, sustains the coastal grizzly (or as the
locals call them, brown bears where as the interior bears they call
grizzlies). In fact, they are even able to start putting on fat from
this forage. At one of my favorite locales to photograph griz, Silver
Salmon Creek, the grizzlies are like cattle on the flats, grazing on
the grass as a treasured delicacy! There is a hierarchy on the fields of sedge much the same as on the stream or slope. It can be summed up basically as the largest has the right of way. But there are a few caveats to this basic "king of the hill" structure that you, the bear observer and photographer, need to understand. While the biggest griz is most likely a large male or boar, there are times when it could be a female or sow. And when a sow shows up with cubs, even the biggest boars give them space. So a female with cubs sometimes supercedes the largest in size. The pecking order basically goes from the largest to the smallest with size typically being directly related to age, the older the bigger. And you know what they say about age, the older the wiser. I think this truly relates to the grizzly.
The sedges is one of the best places to first see and photograph spring cubs, which are without a doubt, the cutest and most entertaining creatures on this earth! Photographing the cubs takes a quick hand and sense of humor I think. A quick hand is necessary because cubs are busy little bundles of fur, bouncing about while learning about their world. The cubs that I got to watch were characters! One time while I was fly fishing, a sow with two cubs walked by on the creek bank. (I was fishing in the main channel of the creek.) The family was walking by, watching me while looking for salmon. The family led by the sow crossed a small creek flowing into the one I was fishing. The sow walked across first, followed by the first cub and then the second. As the second cub reached the center of the creek, a salmon must have hit it in the foot because that little cub jumped into the air, bawled and then flew the rest of the distance across the creek to the safety of its mother's side! Oh, I wish I had a camera that moment! I was laughing so hard I lost the salmon I had on my line! Typically it's the dominant male cub that's the most active it seems,
off exploring a squirrel's hole, playing with a salmon carcass or bouncing
off the side of mom. That's why I say you need to be quick at hand
and have a sense of humor. Being quick, you'll be able to follow the
action. Having a sense of humor, you'll be able to anticipate the action,
sort of. While we camped in Denali Nat'l Park on another trip this
year, we had to sleep in our vehicle one night and not in our tents
because we were told that two cubs had taken a liking to bouncing off
the sides of tents. They weren't hurting anything, just bouncing off
tents like they were trampolines!
The grizzly bear depends on their noses to tell them when other bears, potentially bigger and badder bears are in the area. They use their noses to find food as well as provide them with ideas of where and where not to look. Watching their noses and being aware of the wind, you can have some idea what they are doing and know when to worry about your own back. When shooting bears, I always keep checking behind me every few minutes. I'm not worried about some surprise attack harming me. However, I want to stay aware of a situation where I might all of a sudden be between bears that aren't happy to see each other or a sow just emerging from the forest with her cubs, wanting to fight the big boar that I'm photographing. By shooting with the wind on your back when facing a bear, you can rely on their nose to help tell you when other bears are coming. The FishermanI'm sure you've all seen the image of the grizzly either at McNeil River or Brooks Camp where the griz is standing in a waterfall, catching leaping salmon. This is definitely the most commonly thought of way how grizzlies catch salmon. But if you ask any Alaskan what other waterfalls in Alaska where this occurs, you might hear a list that's mighty short. While it's the most commonly photographed, catching salmon at waterfalls appears to be the least common way that grizzlies fish.
When it comes to catching the salmon, the grizzlies can use any one of a hundred tactics to catch a salmon. You won't know the tactic the bears you're watching will use until they actually start fishing. They might just jump in, sending salmon and water flying! They might stand on the side of the stream and snare a salmon as it goes by with the delicate touch of the claw of their paw. They might have a favorite rock or small island in the middle of the creek they prefer to stand on like Snoopy on his doghouse, hunched over waiting for a salmon they can grab. They might take a plunge and "swim" about with their heads underwater, looking for salmon to snatch. They might run through the shallows of a creek, chasing salmon in hopes of pinning one under their paw. I even saw one bear in a deep portion of a creek, wade in and fish like a ballerina, nose just above the water line as it felt for salmon with it hind legs. Another tried the same thing, but used its front legs to pin a salmon in its own grasp. Like I said, there are a lot of different ways that the grizzly bears on these creeks have evolved to catch salmon. A lot of times, they are methods taught to youngsters by their mother and passed down generation to generation. Even fishing sites, holes, times and strategies are passed on by the sow to the cubs! So it only follows that if you want to photograph grizzlies fishing, you've got to find salmon!
Photographing the fishing bear takes more skill than that of the grazing bear. The reason is the action that's occurring, the bear actively in one form or another, trying to catch a fish. You're also going to have to deal with the water, where all this action is going on. For example, on an overcast day, which is my favorite light to photograph the bears, the water can look rather drab to say the least. And when the griz has that squirmy salmon in its jaw, you'd best have a lot of light for a fast shutter speed to get the eye sharp! The one technique you ought to be really good at when photographing the fishing bear is panning. They are on the move it seems quite a lot. You've got to be able to pan and fire to capture the really killer images of the bears in action. I would also strongly suggest you have an 80-200f2.8 or similar focal length-f/stop combo hanging on a second body on your shoulder. There are times that they are so close you'll need this focal length to capture the action. A Thought on Bear LightThe Grizzly Bear got its name because the first ones seen by white man had a "grizzled" look about them. I wouldn't say no two look alike, but they are as different in pelt color as a photographer might desire. And it would seem everyone has his or her favorites. I personally like the slightly darker ones with the grizzled tinge to their coat. But you can have them as dark as sin or so light that they look almost white with every shade and combo in between that your imagination can conjure up. And depending on the pelt, different lighting can make a real difference. Photographically, I think overcast days in general is the best light for bears the majority of the time. This permits one to take advantage of the natural color contrast inherent in the coat of the griz. All the subtleties can be captured by film, which is the real trick here. As always, I dial in +1/3 stop to brighten up the scene and then go about shooting as normal. The griz has a small eye and in a lighter pelted individual, it's a whole lot easier to see that eye, which is very important so the viewer of the image can make contact. But with darker individuals, those little dark beady eyes can get lost without some sort of directional light striking them. But don't think for a moment that if the sun comes out, I wouldn't photograph the bears.
One of the cool things about the griz is being able to photograph it side or back lit. Their hairs just tend to naturally glow when lit either of these ways, making all sorts of other photographic possibilities possible. You just have to remember that with dark individual bears when lit this way, it will be hard to see their small dark eyes. And seeing the eyes is very important to the success of your image! Now by no means would I walk up to a griz that I hadn't photographed before and just start firing away! Sharon and I spent hours watching grizzlies in Denali for example, learning their individual behavior and characteristics, watching outside pressures and waiting for them to get close on their own terms before I started to photograph them. I also talked with another photographer who I greatly trust and learned from his experiences as well before taking on these gentle giants. Understanding their basic biology not only kept me safe and permitted the bears to do their thing, but also helped capture the images I desired. You can do the same thing with the same rewards by following these words of advice I've offered here. I found photographing coastal grizzly bears to be one of the greatest challenges I've faced as a photographer. Capturing great images of the bear eating, running or foraging isn't the challenge. Capturing the size, power, strength of the bear and the grandeur of the grizzly bear's home is the monumental challenge. When you spend any time in its home and walk its path, you get an insight into this creature that I generally don't see in photographs of the griz. After getting over the "wow" factor (and that takes along time when you're so close to these magnificent creatures) and getting down to communicating, this challenge kept me awake at night. That challenge will keep me thinking all winter until I venture to Alaska again, to photograph the coastal grizzly bear! Want to get in on the challenge? Where I photograph these coastal grizzly bears is open to anyone wanting to take up the challenge! You can't drive there, but must fly in by a small plane and land on a beach. The folks at Silver Salmon Creek Lodge are there waiting when you land to share their incredible slice of Alaska with you. David Corey, the owner and host, is a native with a big smile and desire to share this piece of Alaska with you. Arne, photographer and bear guide expert, will get you safely so close to these bears, you will come back a changed person. You can contact the folks at Silver Salmon Creek Lodge at 907.262.4839. I hope to see you there! |
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