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on Nov 25, 2015 in WRP Ed Zone, B&W Photography

JP’s Brilliant B&W!

John Paul spelled out the digital darkroom B&W options brilliantly here, wish I’d thought of doing it! Many including myself look for the best way to convert our images to B&W and as JP points out, there is no one way since B&W is such a romantic medium. We need to mix in the digital darkroom as per the heart! With that said, he’s compiled a comprehensive list and IMHO is spot on. And like JP, my preferred method for B&W conversion for some time now has been as he states: The only thing I add to this is at times is Nik’s Pro Contrast at the start of the process and then at the end of the process Levels. The key to the methodology described above is its Quality and Flexibility and Speed. And this is important when a clean Black and a clean White is essential along with the mixing of the heart in the final B&W image What you see above are some of the possibilities...

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on Oct 12, 2015 in Landscape Photography, B&W Photography

Alaska B&W

Our first day in Alaska found what most consider as normal Alaska weather, rain. It wasn’t that bad but it was heavy enough to preclude hiking up in the mountains to look for Moose. While not perfect for Moose, it was for landscape photography, especially B&W photography. The wet rock and earth made it real simple to find those clean blacks I want in my B&W photos. I then turned to the skies to find the rest of the tones I what to make up a B&W photo. One thing I want to bring your attention to is that I use Dehaze in all of these images to bring out the character in the clouds. How did Dehaze work in these conditions? I worked really well but the technical side I’ll share this week in a video where you can easily see it in action. Hopefully these photos bring to life the big world that is Alaska because it really is magical, Alaska Black &...

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on Sep 25, 2015 in B&W Photography

Is There A Photo?

Cruising down the road, I’m sure you’ve asked yourself, is there a photo? There are most definitely times you ask yourself that and there is no reason to stop. But then there are times when you say this when in fact, there is a photo. How can you help yourself to learn to “see” that unobvious photo whether you’re walking or doing 60mph? We went through that basic concept this afternoon as we waited for the edge of the light to wear off. And these are just a couple of our results. You can teach yourself to see this, you need to read nothing or buy a thing. Shooting with any Nikon body with wireless capibility (I shot these with D750 / 14-24AFS) you can connect your iPhone/Andriod to the camera with the Mobile Wireless Utility. You take your photo with your camera, transfer it to your device, finish in Photoshop or Snapseed and instantly see on the device what the possibilities are and relate it to exactly what...

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on Oct 3, 2014 in Landscape Photography, B&W Photography

Tapping the Creative Eye

Again today, one of the folks with us, Tony, found a really cool subject. And again today, they shared it with the rest of us. And again today we started with their original concept and refined it to what you see here. The “refines” were no more than to not shoot at eyelevel and to finish the photo as a black and white. Shooting still with the D750 and 20f1.8AFS, I had the luxury of simply popping open the LCD monitor, turn on the LiveView and put the camera on the ground and shoot. I so love that feature! And by going low, we were able to bring in the moon that even though small, will look cool in a big print. That took care of changing the angle of view. The going to black and white was easy and in fact, even better than before. That’s because I’m using the new OnOne Perfect Suite 9 B&W! All I can say about it, is, freakin WOW! Just look at...

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on Mar 21, 2014 in Landscape Photography, B&W Photography

When The Sun Don’t Rise …

at least the way you planned the night before, you punt! In this case, there were no clouds, no fog, no color so when working the romance of the shore, you do B&W. Now, I tend to go B&W at the shore alot in any case, but this morning I was actually wanting color. It’s OK, it was a gorgeous place to get skunked! Shooting the D4s / 24-70AFS (top image) along with the Big Stopper (using one no longer manufactured) 18-35AFS (bottom image), the images were processed in ACR and then processed additionally in Silver Efex Pro. Dodging waves, watching birds and looking for the “silver” in the sand was a great way to spend the...

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