Mine, Mine, Mine!

Black-chinned Hummingbird captured by Z 9 / Z180-600 w2x Profoto A10s

Many of us have experienced the hummingbird feeding frenzy at a feeder. There always seems to be one hummer that spends most of its time chasing the other hummers away. At Madera Canyon, you have a hundred hummers wanting to feed, so there are many hummers trying to claim the feeders as theirs. The bedlam can be dizzying! This makes for great flying hummer photography opportunities. And if you look carefully, you’ll see those individuals who take a different tack to the whole process. This immature Black-chinned is one of those individuals. I have no doubt it’s just my imagination, but at times, it seemed to try to bullying with body gestures, and at other times, misdirect chasers to pursue an individual so it could eat unharrassed. I watched it do this multiple times from different perches. The one time it selected a perch where I had a clear shot, I had already seen its antics, so I was ready for them. The whole time I watched it, in my mind it was saying to every hummer, mine, mine, mine!

Black-chinned Hummingbird captured by Z 9 / Z180-600 w2x Profoto A10s

Up, Up, and Away!

Broad-billed Hummingbird captured by Z 9 / Z180-600 w/2x Profoto A10s

They are such dynamos! Hummingbirds’ constant playing of Tag has them jetting about seemingly nonstop. This is so much fun to watch and makes photographing them a super challenge. This year at Madera Canyon, the Z180-600 helped in that quest, providing flexibility as they got closer and further away from the camera. There are a couple of images I’ve desired for years that I still haven’t added to my library, but this one gives some hint of that. When Hummers change direction in flight on a pinhead, their tail goes up, their head goes down, and the wings come forward. It’s their position for a power dive. Every so often, they do a power climb as you see here. The big visual difference is the “determination” in their gesture. That’s what I’m after, and for another year, I didn’t come home with it. That’s OK, there is always tomorrow when I will be again, up, up and away!

Cherished Backdrop

Madera Canyon Oaks captured by Z 8 / Z24-120

I’ve been staring into these oaks for forty-four years, enjoyed their shape, the birds they’re home to, and the shade they provide. They are the backdrop to the hummingbird feeders I sit at for eight to ten hours every day. And until this morning, I had never taken their portrait to preserve the memory. Well, I can now take them home with me, and my heart feels just a tad fuller. It’s a cherished backdrop!

Those Small Gestures

Warbling Vireo captured by Z 9 / Z180-600 w/Z2x & Profoto A10

It’s such a little element that makes such a huge impact, gesture! I started my career with the Vireo (that’s a long time ago), so I cherish any moment I have now to improve on what I did way back when. Technology has come so far since then, oh my! The blending of ambient light with flash is a snap, to the point I don’t even give it a second thought once set up for that shoot. The speed at which the Z 9 grabs focus clears up not only the viewfinder but my mind, so then it’s all about telling the story of a bird that makes a big impact on our world, though rarely thought of. Making you, the viewer, stop, look, and engage, truly comes down to the smallest element. Clearing the mind from the world and technology is essential so that you can focus on those small gestures.

The Flag

Ruddy Turnstone captured by Z 9 / Z600f4TC @840mm

The Delaware coast was a treasure trove of birds! My very first morning on site, a white van pulled up with a Fish & Wildlife emblem on the door. The person walked over and asked if we minded moving from where we were shooting as they wanted to trap shorebirds in that location for their research. We moved instantly as their research was much more important than our images. Well, that started a relationship that continues to this day!

Being a Master Bander and a biology geek, I couldn’t help myself and asked questions. It was a great conversation, fostering a new relationship. They were attaching “Flags” as well as service bands on the birds, you can see one of the green flags on this inbound Ruddy Turnstone. At the end of that session shooting, they were very kind and brought over to the group a Least Sandpiper and Short-billed Dowitcher they had trapped and did an in-the-field class on bird ID and banding. It was great!!!

One of the biologists was from Argentina, and we hit it off instantly. The next day, I gave him a list of the birds I’d photographed (the Flag numbers) with his Flags. That’s when the reality struck, they were targeting species that just a few years back were a dime a dozen. They weren’t going after the endangered Red Knot, they were targeting species that not too long ago no one paid attention to there were so many of them. That reality is still upsetting to me. What have we done to our world? It’s important science, and I was so pleased that for a week, I could play an insignificant part by recording The Flag.

B&W Made Me Do It

Yosemite Wall captured by Z 8 / Z14-24f2.8

The day before, we’d just finished filming my latest class for KelbyOne on photographing Yosemite. Sharon & I spent the morning reminiscing about our decades walking the valley floor with a walk along the Merced before heading towards the airport. It wasn’t a photographic walk, just a simple pleasure walk, recounting the thousands of memories Yosemite brings back. We’d walk about two miles when we came upon this scene. The spring runoff had made this large pond, and Sharon instantly found Wood Ducks tucked in the corner. While she was enjoying them, I took notice of the reflection, and I knew I needed to photograph it. That was the quickest two miles I’ve traveled in a long time, going back to the car for a different lens.

We parked in a different locale, so the walk was only a half mile as we boogied over to the same spot. The light hadn’t changed, so I was in luck. The light was luscious, the view, spectacular! I went with the “anchor” in the foreground shot first, what you see below. It was that classic taught technique, and for a minute, I liked the photo. And then, I didn’t as it didn’t speak Yosemite to me and definitely didn’t sum up our walk and memories. With a couple of steps to the right, the fix was at hand. The cure was obvious and simple. I set the Z 8 to Dark Tone and made a simple click with simple elements. Now that’s what I’m talkin about!

Yosemite Wall captured by Z 8 / Z14-24f2.8

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