The “Stick” Light

I recently received the Genaray SP-C Kit, something I’ve long wanted to experiment with. What I call personally a “stick” light, the SP-C kit contains the LED “stick” light and Ringlight. The HUGE benefit to these stick lights is their extreme lightweight, portability and ease of use. To be honest with you, I had NO CLUE if such a tool would be a viable tool for my shooting. The only way to find out is to take a stick light out into the field and shoot with it. As you can see, I shot with a stick light and here are my first thoughts. First and foremost, just like with any light, just because you can doesn’t mean you should. They do throw out the light, that is for sure but without any kind of light modifier like barndoors or silk, it’s just a bright light. That means you gotta use distance to mellow it and that means throwing light everywhere. There can lie a challenge.

I shot with my favorite people rig, the D5 & 105f1.4 AFS. That permitted me to limit just how much of the extra light was captured in the frame. While the stick light works pretty darn well, it takes more time to perfect than you might think at first. The SP-C is a 5600k light with a 3200k built in filter, that’s pretty cool. It works off a rechargeable handle which is very cool which will power the stick light or the included ringlight (which I’ve not tested yet). The handle battery can even charge your iPhone if needed. The power switch is a dimming switch which works better than I imagined. While it doesn’t come with an attach ring for the 24-70VR or 105f1.4, my primary people lens, the ringlight will attach to smaller filter rings with the included adapter rings. The best thing is the really small price for this entire package, less than $200! I have a lot more testing to do especially with video but would highly recommend this to you if you think this light source is right for your photography!

Brave New World

American Redstart
captured by D500 / 300PF / TC-14eIII

Well, I started something a year ago that I’ve slowly embraced in some of my bird photos. It has to do with the “glow” that comes with a slight about of overexposure when you have a minimum of highlights to “blowout.” Last year it was strictly by accident but I loved the result so this year I’m trying to do it on purpose.

Black-throated Green Warbler
captured by D500 / 800mm

It’s really pretty simple. I set the camera (D5 or D500 only) to overexposure to either +1/3, +2/3 or 1 stop. Now with +1/3, the camera does a great job with the highlights and shadows. You move up to +2/3 and it does a good job and at +1, you gotta be careful as it tends to protect shadpw detail letting more highlights blow out. I’m getting pretty good at reading the light and the camera’s responce when doing this. But it’s not perfect so for my and telling stories with exposure, it’s still a brave new world.

Zenelli Gen III … Heaven!

Having a Zenelli Gen I for years and loving it, I found it hard to believe when they told me that they improved it. Now shooting with the Gen III, I can tell you they aren’t kiddin, they improved an already great head. The weight difference is staggering!!! The new lever plate is outstanding. But it’s the stability the entire package brings to the big lens that still amazes me. Here are the stats I think are important.

New Features
Weight 0.90 Kg, 1.99 lb
Ergonomic Tilt knob, Soft Touch in Magnesium
Balance Lever with recovery position
Save Lock Lever, more ergonomic
20% more vibration absorption
Two bearings Tilt Carbon Graphite
Two bearings Pan
Best Carbon Fiber Position

What you see below is the new lever locking plate. It’s vastly improved, really secure and easy to use. It’s the most visible of all the great new features. Check it out!!!

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