Philmont Fall Skies Magic

Philmont Scout Ranch sunset captured by Z 8 / Z70-200f2.8

October brings active skies to northern region of New Mexico and right over Philmont Scout Ranch. The sun greets Robin blue skies everyday as far as the eye can see. And just minutes after the sun kisses the land, the first little puffy appears. By later afternoon giant, dark battleships are floating overhead which soon let loose of their load. By sunset the energy is gone and the clouds rush to go back into the heavens. This daily show brings 360 non-stop shooting that is simply, delightful!

This evening was literally exhausting switching lenses and Picture Control as the sun went south. There was one great set of could to the north, another to the east (bottom photo) and to the south (top photo). The one thing that was constant was the WB was set to 10k. When I switched to the Z70-200f2.8 for the south, I dialed in Monochrome and -1. When I went east, I would go to the Z14-24f2.8 and start in Monchrome and then back to Standard. Then I might put the Z24-120 and Monochrome and shoot a pano starting east and continuing to the south. Then the Z70-200f2.8 and turn west for the God Beams coming through the clouds. And this happened EVERY NIGHT! It’s one reason I love going back to Philmont each October, Philmont fall skies magic!

Philmont Scout Ranch sunset captured by Z 8 / Z14-24f2.8

Other Colors for Fall Color

Philmont Scout Ranch captured by Z 30 / Z16-50

Fall color is a seasonal splendor that many, myself included, look forward to celebrating in our photography. We often travel great distances for those reds, oranges, yellows and the patterns they creat in the distance and up close. The mellow fall light and polarizer helps us bring romance to this last salute to spring as it goes out in a blaze of color. It’s that time right now but are there other colors we can use to celebrate fall?

As you can see, I think there are and they include black, white, gray and all the colors those colors combined can produce! Walking one of the canyons in the spectacular Philmont Ranch (great workshop BTW) I went simply armed looking at its oaks for their glory. The sun had yet found its way down inside the canyon but the leafs of the oaks were already a blaze. Their trunks though were still draped in the darkness of the morning. That made the entire click an easy one to make. Simply switched the Z 30 to monochrome and the photograph was done. Not every swath of fall color looks celebratory in B&W, but when I find one that does it is obvious there are others color for fall color.

Hills of the Giants

Kodiak hills captured by Z 9 / Z400f2.8

When the tide is out, all one sees across the flats are gulls, kittiwakes and some ducks. Then the tide shift and the water starts to flow back to land and with the water, life. The salmon runs are in full force and as the salmon swell the river, the Kodiak Brown Bears seemingly come out of nowhere to appear. Once quiet flats have 15-30 bears roaming the flooded landscape chasing salmon and eating spent ones. They emerge from the hillsides that line the valley, hidden in that world until they want to appear. And when the tide goes back out, the bears retreat to their sanctuary to sleep, get fatter on what they just ate and wait the ten hours for the next high tide. I never go up in those hills looking for the bears, the advantage is all there’s. I respect their home, the hills of the giants!

It Was Calling

Uganik South Arm captured by Z 8 / Z24-120

I spent most of my time between sessions with the Kodiak Brown Bears just sitting on the deck literally watching the clouds float by. Most of the Z 8 was attached to the Z600f4 as I worked the sparrows flitting around. I always though had the Z24-120 handy for moments like this. As the clouds floats by they would pant the hillside with light bringing to life this or that section of the slope. I thought about doing a time lapse but that required me getting up and working. I was in chill mode and the mountain seemed to know that. Every so often it would light up like you see here, that’s when I switch lenses and make a click. It was real simple, just required switching the Picture Control to Monochrome, making the click and then goin back to the birds. It was my kinda of afternoon, landscape photography and way to pass the time chillin. It was calling me!

Backlight for Color & B&W

Mammoth Hot Springs captured by Z 9 / Fisheye

I love Mammoth Hot Springs! It never ceases to amaze me what Mother Nature has created and shared with us when I walk its boardwalks. The majority of the time I do it in the afternoon, the hours the critters are typically taking a siesta. When in Yellowstone my priority is the critters so landscapes are taken only when there is nothing else the majority of the time. This early morning though as we passed the terraces, the light and sky just screamed for our cameras so we hit the boardwalk. The backlighting is what made them jump out at us. As they are all white, the light is bouncing everywhere so then it’s just a matter of arranging the elements to move the eye through the frame. In the black & white, I closed the aperture down to create the starbursts to move the eye around. In the color version, it was the algae I used as an anchor for the eye. And in both the backlit steam set the stage and brought the romance of the landscape to the image. We so enjoyed our time on the boardwalk even after we learned we missed a bear. It was a gorgeous morning for backlight color & B&W!

Mammoth Hot Springs captured by Z 9 / Fisheye

Find ’em in the Darnedest Places

Lonely Beach Cross captured by Z 30 / Z16-50

I was at the surf line with the Z 9 / 800AFS photographing the American Avocets in the surf and the Black Skimmers feeding right in front of us. To the east we saw the nasty storm that had formed up and was coming our way. The light had gotten real sour, the birds moving away so I started to search with my eyes for the light if there was any. As I spun I had done a complete 180 when I saw behind us, behind the truck, off in the dunes this lone cross. Behind it, a light under menacing clouds. At first I shook off the thought of going for a photo. I was here for critters and I knew that giving them a few moments, they would be back. But the light was in a different direction. I didn’t want to make the walk, get another camera dirty but the light, it ate away at me. After a few minutes I headed for the light. I grabbed the Z 30 / Z16-50 out of the truck and headed over the dune. I no sooner than crossed the small rise when I saw a cloud of bugs come up to greet me. The light was pulling at me so I made the click. That’s when I noticed I was covered, covered with mosquitoes. I ran back to the safety of the beach wiping them off. Then I looked at the photo, one of the finest landscapes I’ve made in a long time. As I madly scratch the tens of bites on my legs and hands this morning, I know I need to make some mental changes towards some photos. The cause your find ’em in the darnedest places!

error: Content is protected !!