Time Machine

The Great Falls, MT 3 image pano captured by Z 8 / Z70-200f2.8II

In 1805, Lewis & Clark came upon the Great Falls and its surrounding 450′ bluffs and knew the going was going to be tough. What they thought would be a one-day portage turned out to be three weeks. The volume of water was monstrous, so much so that Lewis named the first of the five falls, Great Falls.

Went to Ryan Island to see what Lewis saw. While the rocks haven’t changed much, the falls have had a dramatic change. You can see what I saw in the second pano. I wanted to see what Lewis saw so I grabbed the time machine and rolled the dice.

The Great Falls, MT 3 image pano captured by Z 8 / Z70-200f2.8II

While I was standing there seeing the water come over the spillway, I was mesmerized. The B&W is in the camera, Z 8 magic. The trip back in time, that’s Photoshop AI. This was my first venture into using AI, so I wasn’t really sure what was going to happen. Ya, I’ve used AI for Masking in ACR, but going back in time, this was a first. In Ps, I selected the spillway, clicked on Generative fill, and typed in, “historically accurate Great Falls 1805.” Dang, on the first click, you see the results. Then I tried it on a single image, not a pano of the whole falls, and while it’s darn close, it’s not the same as the pano. That got me to thinking. It’s no replacement for standing there in 1805, but the camera and computer did put me there, and I can visit it anytime I want now, like when I read Undaunted Courage. It’s my own, personal, time machine.

The Great Falls, MT captured by Z 8 / Z70-200f2.8II

Looking for Lewis, Finding Moran

Tower Rock, MT captured by Z 8 / Z24-20f2.8II

At our feet is the Missouri River as we stand on Tower Rock. This is the same spot Lewis & Clark were in 1805 on their momentous journey west. We’d been following their footsteps, using their journey as our photographic inspiration. The country is quite gorgeous, and all around us are formations that Lewis wrote about in his journal. Then this afternoon at Tower Rock, the light and, sadly, wildfire smoke, brought to life another famous old adventurer of the west, Thomas Moran. His paintings have long been an inspiration with their “heavenly light” and great visual depth. The only thing missing from the photo above is the snow-covered peak in the background. Even if there were one, it wouldn’t have been visible through the smoke. But it was great fun, looking for Lewis, finding Moran.

Reflecting Back

Rainbow Falls, Great Falls MT captured by Z 8 / Z70-200f2.8II

This wall of rock, one of five on the Missouri River in 1805, brought the Lewis & Clark expedition to a halt as they figured out how they were going to get passed them. After a couple of weeks and countless man-hours of struggle, they portage their dugouts around the mighty Great Falls. Four of the five falls remain today, all damned to produce electricity. I used the Remove Tool in ACR to take out a sliver of cement in the top left corner of the frame to go back in time to Lewis & Clark’s travels. I was reflecting back.

Layers of Shades of Gray

DuPont Point captured by Z 9 / Z600f4TC

The telephoto, in this case 600mm, is not your typical lens for a landscape. With not clean white and barely a touch of black, it’s not your typical successful black and white. What provides the foundation of possible photographic success is all the layers, all the shades of gray. These help the mind’s eye travel through the photograph, each time a little more appears, and more shades of gray appear. It’s then that the clouds in the middle of the frame break up the layers, and the surprise intrigues the traveler. All that wraps up the image into a simple click, the camera doing all the lifting. It’s the power of the layers of shades of gray.

Just Couldn’t Swing It

Blackfoot River captured by Z 6III / Z24-120

I’m a sucker for great clouds, and this afternoon, the thunderhead was performing! It grew and grew, and for the Z 6III’s Dark Monotone, it was a simple click. But the rest, well, just wasn’t working. I walked almost a half mile trying to find a foreground to go with the ok middle ground and killer sky. But nothin. The foreground you see isn’t very nice, had to use the Yellow slide in B&W mode in ACR to make somethin happen there. Hate when the heart and camera don’t get together, just couldn’t swing it!

The Meeting At the T

Missoula & Bitterroot Valley captured by Z 8 / Z70-200f2.8II

The Missoula Valley runs basically east and west. The Bitteroot Valley runs basically north and south. One carved by the Clark Fork and the other by the Bitterroot. Where the two rivers meet creates a perfect T of the two valleys. Looking south from runway 29, you can see the Bitteroot Valley fade in the distance, and the pending storm fills the void beautifully. This is a simple click using Monochrome to dramatize the stacking of the clouds and the downhill slope. I enjoyed the meeting at the T.

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