Winter Desert Gamble

Gamble’s Quail captured by Z 6III / Z600f4TC @840mm

The desert is called a desert because typically when looking for critters it can seem pretty deserted! This is so true in the winter. There are thankfully some exceptions and we’re at one of those right now. The Riparian Preserve at Water Ranch is this man-made oasis that has the most amazing collection of birds in the winter. A water reclamation facility, it was turned into a birding paradise attracting some incredibly photographable birds. I’m so far up to 43 species in four days! One of the reclusive birds is the Gamble’s Quail. They are all over the Preserve, you see them dart from bush to bush, and you hear them in their hiding place chuckling as you go by, but actual glass time is rare. This male “guard” picked this perfect perch after we’d been standing in place for a while photographing a Verdin. Not sure if it knew we were there, didn’t care we were there, but there it stood as its brood ran across the area moving from the safety of one shrub to another. It would look over its shoulder every so often to make sure we weren’t moving otherwise seemingly giving us to never mind. Once all the females were moved, he hopped down and followed them. It was a great moment making the whole Adventure just so sweet. We all felt we had won the winter desert gamble.

Errands Always Take Longer Than They Should

Bitterroot Mountains captured by Z 6III / Z24-70f2.8

I always have a camera with me when I run errands, these days the Z 6III / Z24-70f2.8 (it has the Dark Tone Monochrome I love for B&W). While my mind should be on getting done the tasks at hand, I can’t help but look out the window going up and down the Bitterroot Valley admiring the view. At times, I run my errands when the light sucks just so I get things done quickly. But that’s rare. More the case, I’m cursing the highway as there is a photo to be taken but no place to pull over. I’ve become very knowledgeable where parking lots, not a through street, dirt roads are that I can duck into to get the shot. While I go out with stops planned, timing down to make pick-ups, it could be argued that goes out the window when I see them clouds performing. In this case, we were late getting to breakfast when I saw these clouds dancing overhead. Errands always take longer than they should.

View Out The Window – Ya Never Know

Lockheed P2V-5F Neptune captured by Z 6III / Z26f2.8

I always get a window seat, way too much photography going on outside that window. When I launched from MSO on Monday heading to the Nikon Ambassador Summit, I was looking out and saw a Neptune in a new place. They are building a museum for the Forest Service and the Neptune is one of the exhibits. It’s located at a place on the field I would never go past other than, looking for the Neptune. I wanted to check it out when I landed to see what’s what. The challenge was to remember to do that cause normally once I get my luggage after a flight, my mind is just on getting home.

I wrote myself a note but I had to keep the note out front and center in NY cause if I didn’t see that note, I would forget. Then when heading to the airport to fly home, I wrote the note on the back of my hand. I didn’t want to forget. Sharon had told me there was a freezing fog all day but I didn’t know how thick or widespread it was. When we landed, I couldn’t even see the terminal from the runway. I left the airport, made the left-hand turn, and started to look for the Neptune I spotted days before. After driving a few miles, I spotted it, barely.

The Neptune was shrouded in fog at first and I figured I’d just take reminder shots and come back and do it right later. But then the fog started to lift, the sun came out and the shooting was on. This retired firefighter is a badass plane! It was fun to be able to photograph it in both color and B&W. Just goes to show to check the view out the window, ya never know.

Lockheed P2V-5F Neptune captured by Z 6III / Z26f2.8

Meeting of the Minds

Rocky Mtn Bighorn Sheep rams captured by Z 9 / Z600f4TC

Months and months have passed since the ewe band has been with the ram band for any long period. It’s late fall, early winter, and the snows have signaled the time to make their down slope migration to “warmer” and less snow-covered grasses. As they come down, the topography and biology bring the sexes together and that’s signal time to start strutting their stuff. In late October, the rams closely follow the ewes, as in, noses up the butt close as they try to determine if any are receptive to their advances yet. The Rams at the same time size up their perceived competition. This involves many things including pushing down on the backs and flanks of a possible competition, kicking, and at times, light head butting. You will often as they have checked out all the ewes, huddling up like a football team. When in the huddle, they move very little, lifting or lowering their heads which means they’re rubbing those curls into their possible competition. When finished, they wander off feeding until they run into either the ewes again or other rams and begin the process all over again. At least what it appears to us, nothing much accomplished but with sex on their minds, they ignore us as long as we are good guests in their home. But I my doubt that with all this time, much gets truly accomplished by this meeting of the minds.

Rocky Mtn Bighorn Sheep rams captured by Z 9 / Z600f4TC

Is It Live, or Is It Monochrome?

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Yellowstone Pines captured by Z 8 / Z70-200f2.8

The forest appears like a mad baker came and frosted every needle with white frosting right after a snowstorm! Every needle, limb, and exposed truck is coated in the white stuff creating a delicate outline of each tree. There is no question of seeing the trees from the forest! The pattern is spectacular and stops me in my tracks every time. The inner turmoil is to bring back the story in color or B&W? The difference between the two is minimal at most and yet, it is there. In these instances, I shoot both mediums and let time make the final decision which I prefer in the final analysis. The scenario always leaves me asking, is it live or is it monochrome?

The Clouds Pushed the Narrative

Emigrant Peak captured by Z 8 / Z70-200f2.8

It was a spectacular sunrise! As soon as the full sun passed the horizon the color was gone like a preset was disconnected. And as soon as the color evaporated the clouds took on a new life, tonality, and prominence in the heavens. As quickly as I saw the swap out, I changed the Picture Control in the Z 8 to Dark Tone Monochrome and went click. The clouds drove the whole photograph, lens, Picture Control, and the finish (out of the camera with the addition of ProContrast in Nik). I would love to know just how many shades of black, gray, and white there are in those clouds. The clouds pushed the narrative.
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