Moose Podcast #15

Click to listen to Episode 15

and iTunes

President George Bush (41)
photo taken with D5, 14-24AFS, SB-5000

 

Thanks to all you loyal followers and hello to you new ones! Sure would love to hear from more of you with questions or what you’d like to hear here!! Do me a favor and Tweet or Facebook these podcasts and send in questions. Thanks! To send in your questions for the podcast here ya go: Moose Podcast (emails sent to this address will get no direct response)

 

Dec 7th Flyover by TFLM
captured by Keymission 360

 

People, Companies, Products Mentioned during Podcast:
B&H Photo
Nikon D5
Nikon D750
Nikon 105f1.4
Nikon 14-24AFS
Really Right Stuff Fluid Head
Keymission 360
Keymission 170
Waterproof Case for KeyMission 170 Action Camera
Keymission 360 Firmware
Keymission 360/170 Ultility
Luminar
Texas Flying Legends Musuem
Bush Library Dec 7th Ceremonies

 

PodcastGear

 

Gear Used to Create Podcast
Adobe Audition
Rode Podcaster USB Broadcast Mic
Array 2 Broadcast Arm
Rode PSM1 Podcaster Shockmount
Sure Digital Large-Diaphragm Condenser Mic
Seal Enhanced Studio Monitor Headphones
Preconuns Studio One 3-Pro
iZotope RX Plug-in Pack

Moose Podcast #14

Click to listen to Episode 14

and iTunes

Snow Geese captured by D5 / 800mm

Snow Geese
captured by D5 / 800mm

 

Thanks to all you loyal followers and hello to you new ones! Sure would love to hear from more of you with questions or what you’d like to hear here!! Do me a favor and Tweet or Facebook these podcasts and send in questions. Thanks! To send in your questions for the podcast here ya go: Moose Podcast (emails sent to this address will get no direct response)

 

Sandhill Crane captured by D5 / 800mm

Sandhill Crane
captured by D5 / 300mm f/4E PF

People, Companies, Products Mentioned during Podcast:
B&H Photo
Nikon D5
Nikon 800mm
300mm f/4E PF
Thinktank Contest

 

PodcastGear

 

Gear Used to Create Podcast
Adobe Audition
Rode Podcaster USB Broadcast Mic
Array 2 Broadcast Arm
Rode PSM1 Podcaster Shockmount
Sure Digital Large-Diaphragm Condenser Mic
Seal Enhanced Studio Monitor Headphones
Preconuns Studio One 3-Pro
iZotope RX Plug-in Pack

Moose Podcast #13

Click to listen to Episode 13

and iTunes

Sanderling captured by D5 / 800mm

Sanderling
captured by D5 / 800mm

 

Thanks to all you loyal followers and hello to you new ones! Sure would love to hear from more of you with questions or what you’d like to hear here!! Do me a favor and Tweet or Facebook these podcasts and send in questions. Thanks! To send in your questions for the podcast here ya go: Moose Podcast (emails sent to this address will get no direct response)

 

Spotted Sandpiper captured by D5 / 800mm w/TC-1.25e

Spotted Sandpiper
captured by D5 / 800mm w/TC-1.25e

People, Companies, Products Mentioned during Podcast:
B&H Photo
Nikon D5
Nikon 800mm
D500
Nikon 200-500
Wildlife Kit
Thinktank Contest
KelbyOne Class
Landscape Workshops

 

PodcastGear

 

Gear Used to Create Podcast
Adobe Audition
Rode Podcaster USB Broadcast Mic
Array 2 Broadcast Arm
Rode PSM1 Podcaster Shockmount
Sure Digital Large-Diaphragm Condenser Mic
Seal Enhanced Studio Monitor Headphones
Preconuns Studio One 3-Pro
iZotope RX Plug-in Pack

No, This Is Not a Supermoon Photo

B-25 / Moon dbl exposure captured by D4 / 200-400 w/TC-14e

B-25 / Moon dbl exposure
captured by D4 / 200-400 w/TC-14e

and neither are most of those sent to me by folks. Why? A Supermoon is “brighter-larger” visually than the moon we see normally. The photos sent me were nice, I’m sure a blast to take but just taking a picture of the moon in the sky, be it super or not could be any full moon, couldn’t it? If you walked outside last night and looked up at the moon, depending on where you were it might have looked brighter but without some reference, it didn’t look any bigger. This all comes down to the classic problem we all face every time we go to take a photograph, storytelling! In the photo above, it’s a double exposure, one for the B-25 and the other for the moon. But in the moon’s case, I zoomed way in the hell out to 560mm (200-400 w/TC-14e) to make it so bloody large in the frame (and took a few attempts), “Supermoon” size. It’s definitely not my best double exposure but it was a fun way of saying in one click that the crews at the Doolittle Raid Reunion where burning the midnight oil to get planes prepped. It’s all about storytelling!

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