May 17, 2010 | Landscape Photography
I’m a little bummed that the cool features on this images just don’t pop in this small frame. I shot at f/1.4 and focused on the limb in front of the trunk. I underexposed a full stop to punch up the color and blacks. Normally it would have been posted as a Simple Click because that’s really all it is. The rains which had come and gone by this point really made the image though, with the dark trunk (all wet) and the greens all washed.
[swf]http://www.moosepeterson.com/swf_imgs/_BMP1152.swf, 585, 473, [/swf]
Photo captured by D3s, 50AFS on Lexar UDMA digital film
May 17, 2010 | B&W Photography, Landscape Photography
[swf]http://www.moosepeterson.com/swf_imgs/_BMP1106.swf, 585, 473, [/swf]
It’s in the middle of a lawn, so it’s either for a possible forest fire in the middle of Central Park, or the builder was a dog lover. The photo might have been stronger if I used the power of CS5 to remove some features but decided to not go that route. The B&W conversion was done in CS5 using Scott Kelby’s Gradiant Map technique and then adding a Brightness/Contrast Curve.
Photo captured by D3s, 28AF on Lexar UDMA digital film
May 17, 2010 | Landscape Photography
[swf]http://www.moosepeterson.com/swf_imgs/_BMP0998.swf, 585, 473, [/swf]
On Friday, Adorama & Nikon hosted Sharon, Stephanie, myself and some really great folks to a shoot in Central Park. This is our third one this past year and 2nd in the park and it was simply, GREAT! Now I debated for the last couple of days just how I was going to present all the images. Rather than presenting them all in a slideshow (which makes the images small), I decided to post them all day long here with little stories.
We started off our day with dark clouds which, not too long after this click was made, sent us for cover for a little while during the down pour. With the soft, diffused light, I headed to this canopy lined walk in the North Woods. I used the center AF sensor to help me line up the symmetry (the best the garden could provide) and went click. I took the shot thinking I would go black and white but when I saw the variances in the green in ACR, I stayed color. Good start to a great day!
Photo captured by D3s, 18AF on Lexar UDMA digital film
May 14, 2010 | Landscape Photography
[swf]http://www.moosepeterson.com/swf_imgs/_BMP9784.swf, 585, 444 [/swf]
With the clouds providing a rather even, flat light, I pointed my lens down in the depths of the canyon. I set the camera to Vivid and underexposed 1.5 stops to crank up the color and looked. I like this photo, at first glance it looks as if someone put the slide upside down in the projector. Then you stare at it long enough, it rights itself. Na, not printing it up and putting it on the wall, but it put a smile on my face and for that reason alone, I like it.
Photo captured by D3x, 200VR w/TC-20e3 on Lexar UDMA digital film
May 13, 2010 | Landscape Photography
[swf]http://www.moosepeterson.com/swf_imgs/_BMP9799.swf, 585, 444 [/swf]
The sun went up into the deep clouds and there is stayed. While it had some character, the clouds just wouldn’t let it come through. What little you see here just wasn’t over anything interesting. I just hate that, when you have a pattern in the clouds but nothing in the foreground to go with them. Oh well, time to point the lens somewhere else.
Photo captured by D3x, 18AF on Lexar UDMA digital film
May 13, 2010 | Landscape Photography
[swf]http://www.moosepeterson.com/swf_imgs/_BMP9736.swf, 404, 600 [/swf]
Yeap, the light at Dead Horse Point showed the promise of some real character but no sooner then the promise came, the promise left. That is the way it can happen so you have two options, leave and east breakfast, or wait to see what life brings. I like to wait and see what life brings. Often you get rewarded.
Photo captured by D3x, 200VR on Lexar UDMA digital film
