Fishin on The Palouse

Cordelia Church
captured by D850 / 8-15Fish

One of my favorites places on The Palouse is the Cordelia Church founded back in 1883 and is still in use. With the bald skies, there was no clouds to help bring drama to the “church on the knoll” so I turned to the D850 / 8-15Fish.

Cordelia Church
captured by D850 / 8-15Fish

The first two photos are strictly to provide you a sense of the walk up the hill to the church. It’s the last two photos here that tell the story I wanted to present on this incredibly beautiful, peaceful and tranquil place. And the gorgeous 8-15Fish did a marvelous job in the telling.

Cordelia Church
captured by D850 / 8-15Fish

Cordelia Church
captured by D850 / 8-15Fish

Long & Short for Story?

Palouse Barn
captured by D850 / 300PF

It really is pretty cut & dry! You want to say, “Red Barn” or “Red Barn on the Palouse?” There is no right or wrong statement but knowing it determines what lens you’re going to use and where you stand to take the photography.

Palouse Barn
captured by D850 / 24-70VR

The red barn assures your viewer can’t miss it in the frame. That makes the photographic work a snap because you then have the luxury of placement in the frame. I went with the D850 / 300PF to tell the story of place. And went with the D850 / 24-70VR to tell the story of romance. And since I took them both, one or just the other photograph wasn’t an option. I had to have them both.

Lines of The Palouse

The Palouse
captured by D850 / 70-2004

Truly enjoying the tranquility of shooting in The Palouse! I also love the HUGE challenge of looking at the landscape and optically pulling out the detail that added up makes, The Palouse! The patterns are everywhere but how to connect to them visually and then share them with you, well is a ton of fun (though you can get frustrated in the process.)

The Palouse
captured by D850 / 300PF

One thing that helps me is to put the camera on the tripod. Not my normal MO, slowly looking through the lens and then at the scene and then through the lens, the little details you want to include and exclude for me is easier when consistent. Locked down on the tripod with either the 70-2004 or 300PF they pop out. Keeping it simple is key to the lines of The Palouse.

90 Minutes Well Spent!

The “Weber” Ranch
captured by D850 / 70-200f4

We’re up shootin spring on The Palouse. This corner of Washington is simply gorgeous! We were here last fall exploring the rolling hills and came back for spring greens and they simply don’t disappoint! Now “great” skies eluded us today which makes the landscape a little more challenging and with the killer skies last fall, a little disappointing. With that said, photography must go one even for no other reason than the love of photography. So heading out to the “Weber” Ranch (named for the road, not the actual ranch) was our first stop of the day.

The “Weber” Ranch
captured by D850 / 70-200f4

Shooting with the D850 / 70-200f4 and Nikkor 62mm Polarizer, I walked up the road to take in the ranch, rolling hills and light. As you can see, the sky was, well, boring. But I hung in there and waited until a little bit of light kissed the left side of the hill. Ya, that didn’t help so after an hour, I packed it up, got back in the van and moved.

The “Weber” Ranch
captured by D850 / 70-200f4

I wasn’t giving up as I was challenged by something I wanted but I wasn’t finding it. I parked again and was getting out when this truck pulled up and parked pointing right at the van and blocking it from moving. Getting out of the truck was the farm owner and the nicest guy you’d ever want to meet. He told us about the land, crops and how his wife was the fifth generation on the land. I don’t know if it was his stories, knowing more history about the subject, the clearing of the mind or the change of light and direction, but the elements finally came together in the viewfinder and the photograph, it was 90 minutes well spent!

Mad Max of NE!

There is nothing to this post other than to show off what I think are these really cool trucks. They are used to conduct the control burns in NE and they simply remind me of Mad Max. Except, these are put to use in the real world. They all had names and I regret I forgot them, except the one with the American Flag is Megatron.

When it comes to the photography, they did it all for me. I just had to follow them, at a safe distance, and tell their story working the controlled burn. That was easy with the D5 / 300PF. And as often as I could, I incorporated the heat shimmer into the photo. Enjoy!

Working the Fire Line

We had the privilege and fun today of working the fire line of a control burn up in the Sandhills of Nebraska. Fire is an important part of tallgrass prairie as well as one of the best ways to remove the evasive Salt Cedar.

One of the best parts of the fire (besides the fire) are the folks working the fire. I had a hard time taking my eyes off the firefighter with his cowboy hat and dog who worked the lines. And his truck which is so cool, with its American Flag. I stayed a safe distance away shoot with the D5 / 300PF.

How big was the control burn? This Fisheye look tells it all. It went off smooth as silk, burning just the acreage required. Thanks for the fun Calamus Outfitters!

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