Aug 6, 2018 | Landscape Photography
Sunsets can stop us dead in our tracks! I remember not too long ago how a whole beach of folks stopped to watch the setting sun, its splendor simply couldn’t be ignored. So it is no wonder photographers want to preserve that moment photographically. With that being said, ever noticed how many sunset, or sunrise for that matter, photographs simply don’t measure up? This could be your own impression of your photograph or the lackluster response from others. Ever wonder why that is, why when sunsets can stop folks in their tracks, your photo is, blah? Could it be you’re a moth?
You’ve heard the old saying, “Attracted to a flame like a moth.” We are really no different than a moth with our attraction to a bright light source and that often blinds us to the rest of the elements that need to be in the frame. The first and biggest one is emotion! Everyone on the planet, photographer or not has a sunset that brings back special, emotional memories. That’s the first hurdle our sunset must meet. Then there are the colors which many obtain in post by cranking up the saturation. Not your best solution. You’d be better served to get the White Balance in the camera and let its sensor do all the heavy lifting for you. In this case shooting with the D850 / 24-70VR, I set the WB manually to 9k. Lastly and perhaps the most important is you need to have a clean black. Then, me being me, I look for the financial hook and in this case, the top photo with Hwy 395 in the lower right corner makes this a great stock photo making easy sales. The morale of the story, sunsets are great subjects but take your photograhs to the next level by not being a moth!
Aug 1, 2018 | Wildlife Photography

Elegant Trogon
captured by D5 / 800mm
Back in 1988, we went on our first hunt for the Elegant Trogon. With Brent in a backpack on my back, in the cool of the morning, we hiked up that canyon. Far off in the distance, we could hear its call ever so faintly. Up we went along the trail but it eluded us that week, never ever getting a glance of it. It would be another thirteen years before I would get glass on one with only one click being somewhat decent. And so it would be until last month.

Elegant Trogon
captured by D5 / 800mm
The Elegant Trogon is a rare bird in North America where its northern range stops at Madera Canyon, SW Arizona. Over a foot long with a 16″ wingspan (big bird), its colors and rarity are what drives birders nuts trying to catch a glimpse of this gorgeous bird. Your best bet of finding them is in spring when the male’s loud call rings through the forest giving away its location. You would think a bird this big, this colorful would be easy to find in a forest. You’d be mistaken.

Elegant Trogon
captured by D5 / 800mm
Then we have this male who was disparately wanting to fall in love. It was late July and he was still seeking a mate, pathetically calling in the canyon nearly all day long. The call is a loose term as his call sounds like a dog bark more than any birdsong. It echoes through the canyon and when calling in your direction, you have no problem locating its source. This massive bird nests in abandoned woodpecker nests and when the female is within a short distance, he sticks first his head into the cavity and calls, then he gets in the cavity out of site and calls more. This male had two nesting sites to offer his potential mate. One in a telephone pole and the other in a more typical Sycamore tree.

Elegant Trogon (female)
captured by D5 / 800mm
By the end of the week, our male (I say that cause we were pulling for him to find love) finally seemed to have attracted a female to the area. She was calling back to him and on two occasions, we saw her come close to the proposed nest cavity. The male would fly up and down the canyon calling and the female would be a distance behind him. This elusive bird afforded us on two occasions opportunities to captured some clean shots but otherwise, it was just a dash of red and green as it flew through the canopy. I can say that at least after thirty years, I finally got glass (D5 / 800mm) on the Elegant Trogon!

Elegant Trogon
captured by D5 / 800mm
Jul 23, 2018 | Wildlife Photography
Every fall, Sharon and I start prepping our meadow for the next spring. We’ve been doing it for decades and depending on the snow and winter showers, it’s either ok or, wow! This year was wow and in late July we call it the nursery. That’s because all the baby rabbits, squirrels, chipmunks, grouse, quail and other critter make the flowers of the meadow quiver with all their activity in it. We love it. About ten days ago though for the first time, this big Mule Deer buck arrived and quickly the blossoms of our carefully loved meadow began to disappear. After a week of coming out and talking to him, he stood his groun munching long enough to get some glass on him (D5 / 180-400VR). Now we have had does a lot, a couple of yearling bucks, but never a big boy like this so it’s been quite a treat. And the meadow, well I guess it won’t be so wow for long but it’s worth a buck!
Jul 20, 2018 | Wildlife Photography

Elegant Trogon
captured by D5 / 800mm
One of the biggest challenges in photography is measuring the success of our photographs both technically and most importantly, aesthetically. What I mean by that is, the vast majority of what we do there is no scale, an accepted public measure that we can quickly, easily and accurately measure the quality of our success. It’s all rather subjective. Those who live in the industry have such a scale but in many ways, this is a secret measure that’s summed up very simply in a check paying one for their efforts. But even in the days of film with it ridgedality that was relatively cut and dry this measure of success, helping a new photographer understanding what was sharp while looking through a loop on a light table was a helluva challenge. I by no means have any intent to suggest or force my scale of quality on anyone but rather, simply pass along just two things that my forty years of working with photobuyers has instilled in me that I personally attribute to my still making a living with my images.
Back in the day of steam-powered cameras, we shot on this thing called film … ground up cow hooves with this thin layer of chemicals that got really excited when light struck it just right. In my case, it was 35mm in size being finally presented to the photobuyer encased in this circle of cardboard. There was just enough room on this cardboard to stamp your copyright and address. And you’d bundled up your precious gems up 20 to a page and sent them off with your prayers to the photo buyer hoping in return to get a nice check. You would use gloves and keemacs in prepping your slides, stamping them with care so the presentation was a perfect as you could make it. The last thing you would do would put silver tape on the cardboard mounts to suggest that the image should be cropped, it was dependent on you and assumed by the photobuyer that what they say within that cardboard frame was the complete visual story as you wanted to tell it. Not that at times your photo might not have been cropped in production to fit a cover or a layout. But you’re delivering a product to a client, what they saw in that cardboard frame was the final photo. At the same time what was contained within that cardboard frame was exposed to have the information needed in the entire range of the story correctly. This could only happen when you did it when you went click in the camera. There was no way of recovery after that fact.
Replacing today the finality of slide film and the words of wisdom of the photobuyer is digital and the internet. Where before you HAD to know when you went click you had the picture has been replaced often with learning how you can recover it in post. Where you have the professional helping you learn if your photograph is telling a story are simply Likes. Likes from others often is a befuddlement as to a measure of success or not. There are no true words of advice here, there is no technical help or words of wisdom other then to suggest that our measure of success must be higher if we are to move photography as a whole to a higher plane. A plane were rather than tearing down one’s photo, we use measures as a place to help each other improve where the technical is secondary and not a primary tool to measure with. It’s only then that photography can truly measure up to its true calling, telling the stories of this marvelous world we are all so fortunate to witness with other less fortunate. To enlighten all to a better plane. I would simply like to see us moving the quality slider moved forward!
Jul 12, 2018 | Wildlife Photography

Immature Black-chinned Hummer
captured by D5 / 180-400VR 2x SB-5000
Yep, I’ve been totally ignoring the blog the last few days, that’s because I am enjoying the best success rate I’ve ever experienced photographing flying hummers. This rig simply kicks ass ….
D5
180-400VR
SB-5000 2x
SD-9 2x
Impact Quikbox Micro
So why am I posting a perched hummer shot? Because I started a series of images of elegant perched hummer portraits (and lots of slo-mo hummer in flight video). Still taken with the same rig above, just fine-tuning all the elements especially the light. This is an immature Black-chinned Hummer that was waiting in queue for its turn at the feeder. mtc
Jul 9, 2018 | Wildlife Photography

Magnificent Hummingbird
captured by D5 / 180-400VR2 2x SB-5000
Yep, Mr. Wonderful is still here and today he really was a ham! The hummers in Madera Canyon are really spectacular and photographing them at Santa Rita Lodge is just darn heaven! We back again this year with a better rig that is making the photography about as simple as it can be. I’ll post a BTS of the rig later, but it consists of:
D5
180-400VR
SB-5000 2x
SD-9 2x
Impact Quikbox Micro
What you see here is out of the camera, slam dung easy pizzy. Sorry for short post but heading back out with the hummers before the skies open up big time!