Done … Yet?

Kodiak Brown Bear family captured by Z 9 / Z600f4TC @840mm

This is one amazing mom! Taking the dangerous step of assigning human thoughts to some of her actions though often makes her even more amazing. We first encountered her a couple of years back when she first came down to the flats with her COY (cubs of the year). We have spent literally over a hundred hours with the family since then, much of that time watching them sleep (key to getting fat). The cubs are now three years old, they are getting close to being set loose on the world on their own. Until then, they enjoy mom’s love so after a morning of feasting on spring greens, it’s time for milk. I am always amazed how mom, an 1100lbs beauty can keep up her bulk and feed her kids by just eating grass! Wow!!

Kodiak Brown Bear family captured by Z 9 / Z600f4TC @840mm

No matter where the family is on the flats, when the cubs want to be fed, everyone knows they want to be fed! To say they are obnoxious, loud, and persistent is putting their actions mildly. Mom often says loudly and at times forcefully that she’s not ready for them. That doesn’t even phase them, they keep at it until she relents. As you can see in this instance from last month, they didn’t even let her expose her chest, they were upon her. Only then did she finally lie on her back being mobbed by the big fuzz balls. The whole time, her manors, and facial expressions said to me, done … yet?

Long Glass Landscape

The Palouse captured by Z 8 / Z70-200f2.8

I love, simply love using long glass for landscape photography! You can say vastness, you can create visual depth (foreground, middle ground, background), and you can even include some known object to introduce scale if you just include one more element into the mix. And that’s altitude! It might be just a small mound, could be from the roof of your vehicle, in this case, it’s a few hundred feet up on Steptoe Butte. But getting above the landscape makes it all work with long glass. I wanted to speak about the rolling hill carpet that is The Palouse and that requires shadows. I didn’t want hard shadows but soft ones which required a low sun. One of the best ways to end the day is to watch the sun race for the west from the top of Steptoe Butte. As the sun sets hundreds of great shots are all around you waiting to be captured as a long glass landscape.

Please Step Forward!

Evening Grosbeak captured by Z 9 / Z600f4TC @840mm

The flocks of Evening Grosbeaks hit our gardens typically in early May. This year they were late and their numbers weren’t the same as in past years. The Evening Grosbeak population has seen a severe drop in the past year for no known reason so we were very anxious for their visit. I love photographing this large, loud species as they have lots of character. I only had a few opportunities with the big numbers in our feeder, this photo is from one of those days. I wanted to get shots this day of them deeper in the tree rather than out on the edge. They spend a lot of time in the interior and I didn’t have those shots. The problem is the light, it often doesn’t reach inside to the birds so I use flash. I was short of time so just went for the shots without flash. I kept asking the birds to move left, right, up or down to get in the light. My requests went unanswered until this male heard me. There was a soft drop of light just in front of him so I whispered, please step forward.

Little Church on the Prairie

Little Church captured by Z 8 / Z14-24f2.8 using Dark Monochrome

From the first visit to The Palouse, I have made at least one stop at the old church. Smaller than a one-room school house, it sits on a knoll on the prettiest little stretch of landscape you can picture. Every visit is different, from the trees and grass to the weather and lens used to tell the story and where I stand to make that story. This time the breaking storm saw me with the Z8 / Z14-24f2.8 in Dark Monochrome. If you look closely at the lower right-back corner of the church, you’ll see “the facilities.” This is the first time the sky worked to tell their story. It’s another part of our heritage to celebrate!

Little Church captured by Z 8 / Z14-24f2.8 using Dark Monochrome

Where’s the Grain Go?

The Palouse captured by Z 8 / Z135f1.8 Plena

Where’s the Grain Go? The Palouse is vast and its crops literally feed the world. But where does it do before we get it? The Palouse has grain elevators dotting the landscape almost as much as the grain. You find them tucked in all sorts of out-of-the-way places like this. You’re driving down gravel roads out in the middle of nowhere and you’ll come across them. Many, like this make great subject, their silvery metallic rigidness contrasty to the soft, wavy Palouse. We saw no sun today but the saturated light and the clouds were killer. It’s the magic of The Palouse as you solve the mystery of where’s the grain go?

I Love The View!

Kodiak Peak captured by Z 8 / Z70-200f2.8

This time of year, the sun barely rests in Kodiak setting after 23:00 and up before 06:00. I enjoy greeting the sun, it always seems to have something to say. This morning it painted the skies in warmth, color that was reflected off the peaks surrounding my perch on the cliff. As I did a 360, there was no clear view in any direction, the color peaking through here and there adding a bit of mystery to the coming day. As the sun teased an appearance lighting the peak, whose name I’ve been told but can’t remember and it’s not on the map, I was drawn to it. When I looked at it in the viewfinder I saw the obstructions here and there and thought they were perfectly placed. It’s exactly how I was experiencing it and that’s what my heart said to capture. I’ve starred at the peak many a morning, none are the same with this morning being very special. Simply, I love the view!

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