At the Airport … Again?

747 captured by Z 9 / Z400f4.5

While there are times when flying commercial is about as unromantic as flight can be, I’m still always amazed by the planes carrying around the world. The actual aircraft get no real downtime and while we tend to get pissy when our flights are delayed or canceled because of a mechanical issue, for the hour flown, it’s really a fraction of the life of an aircraft. That’s why they are a favorite of mine for keeping my panning sharp. Na, I don’t photograph them from inside the terminal waiting for my next flight (though I have done that a couple of times), rather, I head to my local airport, MSO and others to spend time photographing the coming and goings. Be it MSO, ANC, PDX, PHL, TPA or a number of others, they have locations where you can easily photograph the airliners. I tend to go when the skies are moody and the light is rich. I get the shutter speed down in the 1/40 range and practice panning not so much level flight but the accents and decents. This is because it forces me to not only twist at the trunk, but move my arms to match the angle. With winter and the slow down of airshows, flyins and the like, there are always aircraft at the big airports to photograph. It’s a fun way to keep the panning technique sharp, at the airport, again.

It Should Be a Slam Dunk!

Cessna 206 captured by D3x / 200-400VR

Aviation and fall color, what could be difficult? I dunno but for me it sure seems to be. This photograph taken a long time ago was when I was photographing ME Moose with my dear friend Vinnie. We just happened upon this scene one morning and stopped to make a couple of clicks. Since then, I have not been able to get one, not a single one of GA with fall color. I have tried twice to make it happen, one time a micro burst hit the hangar damaging the door so we couldn’t get the planes out. Another time, the wind came the day before we arrived and took with it all the color. Heck, I didn’t even try this year. I’m getting to take it personally, it should be a slam dunk!

People? Who Cares?

Waco 10 captured by Z 8 / Z24-70f2.8 w/Generative Fill

Lots of folks enjoy aircraft, not all are photographers. They linger and stare, often as we glare at them over our cameras as they walk into the frame. Forever and a day there were two options, not take the photo or hope they move out of the frame before someone else walks in. Well, there is another option now so you don’t really need to worry about them at all.

Case in point, I was lying down behind this Waco 10 shooting its arse. Of course, my lying on the ground, one could argue I blended right in to the grass. That being said, I soon saw folks setting up chairs and soon, accupying them. Thankfully now I don’t have to get up and ask them to move. With Generative Fill, I just need twelve seconds in post and puff … they are gone and I have my shot. It’s why I say now, people, who cares?

 

Waco 10 captured by Z 8 / Z24-70f2.8

Where Do You Stand?

Waco 10 captured by Z 8 / Z24-70f2.8

Shooting at eyelevel is a natural yet a majority of the time, not the best angle. For one, it’s how most see the world and by not shooting at this natural position you can get someone’s attention. But more importantly especially with aviation, surfaces change shape and form as you change your shooting position. Getting down for most is not the issue, it’s the dilemma how far (and for me, getting back up). Here are two examples of different elevations on the arse of a Waco 10. You can see graphically the change on the flight surfaces. The top one is graphically more impactful, the bottom image more faithful to the plane. Is one wrong or right? I don’t think so as I took both but I had the luxury of time and that’s the main point. We normally don’t have that luxury of time. This means you need to have a plan as you walk up to that subject, that aircraft. You need to keep it in your mind, where do you stand?

Waco 10 captured by Z 8 / Z24-70f2.8

When You’ve Got Clouds …

Cunningham Hall captured by Z 9 / Z70-200f2.8

I’d been staring at the Cunningham Hall for a day, something about this 1920s aircraft really caught my attention. The downpour had ended and we launched in the 185 to do a photo mission with it. Overhead we circled seeing the Cunningham Hall taxi down to the warm up area then warm up. We kept circling but the Cunningham Hall wasn’t moving. Then the radio cracked … sorry gents, bad magneto and sticky right brake. We entered the pattern and soon we were back on the ground. I strolled over to the Cunningham Hall to where it had taxied back to and just stared at it. Those clouds I wanted to put behind it in the air were still there, so were lots of folks. I walked up with the Z70-200 at 200mm until I saw nobody in the viewfinder and just plane and went click. Probably cause I love the design elements of the Cunningham Hall but I just love the click. Simple, clean, romantic, often what you have when you’ve got clouds.

“Wanna Photograph the Thomas Morse?”

Thomas Morse Scout S4c captured by Z 9 / Z70-200f2.8

I was in the hangar making a pot of coffee when Scott came up and asked, “You wanna photograph the Thomas Morse?” I said, “Of course I Do!” Scott said I had about 10-15 minutes before we launch. Right then my phone wrung, Taryn telling me to move it! I was at a invitational flyin, fresh out of my warm sleeping bag and just thinking about what my plan was for the day when this opportunity dropped in my lap. I was incredibly fortunate to have my favorite photo platform and pilot at the event, Ryan and his 185 so that part was easy. We have flown together a lot over the years so I was in good hands there. The gear wasn’t set up nor my harness system, so I gathered that up and boogied over to the 185. I got there in time to have the door off, seat coming out so I could attach my harness. Then I met Connor Madison (I really like him and his photography), a very talented, young aviation photographer who was going up with us. And before long, we were launching and that’s when I asked, “What plane are we photographing?” I had literally no clue!

The event we were all at has only amazing, hold and historically important aircraft. How old, I think 1939 might be the newest I saw during the weekend. Well, as we climbed and I was looking at the clouds surrounding the event, I was told it was a 1918 Thomas Morse Scout and is believed to be the only surviving aircraft from the Howard Hughes movie Hell’s Angels. The TMS had launched before us and as we entered the pattern we saw it before us. We also saw the amazing clouds! I leaned out and shot forward, Connor stepping on me leaned over and was able to shoot without being in the slip stream (Connor can honestly say he walked all over Moose to get the shot! hehehe).

We shot as we over took him. Once the 185 strut got in the way, I tucked back into the cabin to find the front element covered with moisture. We were truly in the clouds and why I use filters! I quickly wiped off the front and went back to shooting. It was truly a magical flight! The Scout uses a rotary engine. That mines the whole engine rotates with the prop, both spinning at the same time! The amazing Andrew King was at the stick of the Scout and man can that guy fly!

After an amazing photo mission we landed and hurried over to the Scout which was parked on the dirt strip to do the statics. And while my feet were on the ground, I don’t think I still have come down from that high! Just show up just seems to always pay off. I was very fortunate Scott was looking out for me, again, Taryn called, Ryan flew and Andrew was amazing. And the plane, lets just say I now know what a Thomas Morse is so there will be no question in my mind next time I’m asked, “wanna photograph the Thomas Morse?”

Thomas Morse Scout S4c captured by Z 9 / Z70-200f2.8

error: Content is protected !!