I’m so Into Raptors!



They are fast, they are loud and they do things in the air that planes just shouldn’t be able to do! I love watching Raptors, the F-22 strut its stuff. I never tire photographing them either. Shooting them is easier than you might think. Shooting with the D4, 200-400VR2 w/TC-14e in Aperture Priority at f/5.6, just pan and click. Now here’s a little trick for you. If you’re not sure about your panning skills, not sure about your ability to compose and pan, simply rip the camera on each pass. The plane has to travel out, travel back before it can perform again giving any camera plenty of time to empty its buffer to do it all over again. Until you refine your skills, you can let percentages work in your favor.

Moose style “Plane on a Stick”

There are a lot of aviation enthusiast who travel the country documenting aircraft that have been set up on large posts, what I call “plane on stick.” There are actually books on where to find these! Well, Jay Maisel has his own version I really like, a shot of a departing 747 that looks like it’s perched on top of a control tower. I’ve always wanted an image like that so this last week at Reno, I tried to get my own and I think I got pretty close. I love havin fun!

2 Birds with 1 Click?

I know, kinda lame but when I saw this OR Air Guard F-15 with the Eagle on the tail, I was in love! There wasn’t a time it was in the air I wasn’t shooting it. The did all sorts of “on the deck” slights which while hard on the ears, is simply fun to watch! If there is anything on my bucket list, it would be to be on the deck in a military jet. It’s just gotta be fun!

Pushing Yourself can Pay

At this point in time, shooting static aircraft at sunrise at Reno is kind of a slam dunk. The hardest part is getting up after only 4hrs of sleep. After that, you simply look at the clouds in the sky (or lack there of), the aircraft, and the story you want to tell and go to work. The vast majority of the time the gear is pretty cut and dry as well. The lens of choice for me has always been the 24-70AFS which I use along with my feet to get the gesture I want in the aircraft. This year, I’ve moved to the D800 for these shots because if everything goes as planned, I’ll be making BIG prints from the final image. The only other important tools are knee pads (getting old sucks) and the Really Right Stuff Ground Pod with BH-40 head. While I feel confident I can do this and produce a clean image, it’s not really helping my photography move forward. It’s all well within my comfort zone. One of my biggest fears is that my photography fails to progress, that I stop growing as a photographer.

It’s no secret I’m a warbird guy, I just love them birds! (I’ll have a story about them later.) I had a special project this past week that took me as far from warbirds as possible working with what I’ve always called “plastic” aircraft (which is really not fare of me). We saw September Fate our first morning at Reno and it instantly caught our eye. Its gull wing form takes you right back to the Corsair. The other thing that caught my attention is, it’s freakin small! I mean, I could never fit in it! There is only 4″ of ground clearance for the prop and your ass when in the aircraft, well lets just say pucker when you land! Making the shot of it was a challenge for many reasons. The first was, getting down low enough to shoot up on it. I needed that angle for a couple of reasons, the first to show off the wing design. Next was the light, making it show off the shape of the Fate. And lastly, to get the canopy to separate from the mtns in the background. Now this is the worst of the photographs I made that morning, can’t post the best until they are published but it really pushed my button to make those images! The key was to start with what I had so well practiced in my warbird images. Then I had to push past that comfort zone, go beyond the pretty picture to the advertising picture and then zero in on the heart strings. Then I had to get my ass off the tarmac, the most painful part!

The shooting is everything, that’s where I always put all my attention because I don’t crop, straighten, fix in post! I do finish and in both of these images, HDR was used, the top is Nik HDR Pro and the bottom was Photomatix. Why the two? I see and more importantly “feel” a difference in the final image based on how they were finished. Many ask how do I know? The answer is, I do it a lot and learn from my mistakes. I don’t have a formula. Russell Brown released a new Extension at Photoshop World so when you save your image as a TIFF, you click on the Extension and it opens the TIFF in ACR. To me this is HOT and gives us the power of ACR to finish the file really fast (Nik & Photomatix do the heavy lifting, not the finishing). I am sooooo thankful I got this project because while at first, I wasn’t thrilled with the idea, it pushed me and my photography and that is always, always a good thing!

Just Dead!

Well, we made it home after an amazing and completely exhausting week at the Reno Air Races. I have lots to share, lots learned and fun to pass along. But right now, I can barely hold my eyes open after 8 nights of 5hrs of sleep and that’s coming from Photoshop World. So for the moment, here’s a simple click of the marvelous F-22 Raptor taken with a 600VR with TC-14e attached.

It’s All About the People

I got to Reno Air Races this year to learn I had a special assignment added to my already long list. All the other shoots were aircraft related, this one was all people and nothing but the people. It’s no secret that walking up to strangers and asking to take their photo scares me too death, I devoted a whole chapter to it in my new book Taking Flight simple because it does scare me. So when I learned about my assignment, to say I was not thrilled is an understatement!

But at Reno and with aviation folks in general, they make it easier for a scardie cat like me. My new friend Wayne is just a hoot! He had me in stitches before we finished shaking hands the first time. And Thom and the whole crew of Precious Metal, they are just great. And their crew bus rocks…literally! While the assignment at first really bummed me out, especially since it’s keeping me from shooting out at the pylons has turned out to be a two point blessing. It got me working and a real weakness at the same time making some new friends. I’m really looking forward to the piece coming out and being able to share it with you. It is what photography should always be about!

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