Errands Always Take Longer Than They Should

Bitterroot Mountains captured by Z 6III / Z24-70f2.8

I always have a camera with me when I run errands, these days the Z 6III / Z24-70f2.8 (it has the Dark Tone Monochrome I love for B&W). While my mind should be on getting done the tasks at hand, I can’t help but look out the window going up and down the Bitterroot Valley admiring the view. At times, I run my errands when the light sucks just so I get things done quickly. But that’s rare. More the case, I’m cursing the highway as there is a photo to be taken but no place to pull over. I’ve become very knowledgeable where parking lots, not a through street, dirt roads are that I can duck into to get the shot. While I go out with stops planned, timing down to make pick-ups, it could be argued that goes out the window when I see them clouds performing. In this case, we were late getting to breakfast when I saw these clouds dancing overhead. Errands always take longer than they should.

Is It Live, or Is It Monochrome?

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Yellowstone Pines captured by Z 8 / Z70-200f2.8

The forest appears like a mad baker came and frosted every needle with white frosting right after a snowstorm! Every needle, limb, and exposed truck is coated in the white stuff creating a delicate outline of each tree. There is no question of seeing the trees from the forest! The pattern is spectacular and stops me in my tracks every time. The inner turmoil is to bring back the story in color or B&W? The difference between the two is minimal at most and yet, it is there. In these instances, I shoot both mediums and let time make the final decision which I prefer in the final analysis. The scenario always leaves me asking, is it live or is it monochrome?

The Clouds Pushed the Narrative

Emigrant Peak captured by Z 8 / Z70-200f2.8

It was a spectacular sunrise! As soon as the full sun passed the horizon the color was gone like a preset was disconnected. And as soon as the color evaporated the clouds took on a new life, tonality, and prominence in the heavens. As quickly as I saw the swap out, I changed the Picture Control in the Z 8 to Dark Tone Monochrome and went click. The clouds drove the whole photograph, lens, Picture Control, and the finish (out of the camera with the addition of ProContrast in Nik). I would love to know just how many shades of black, gray, and white there are in those clouds. The clouds pushed the narrative.

Glorious Salutation!

Emigrant Peak captured by Z 8 / Z70-200f2.8

The winds were wiping overhead, the incoming storm racing to stay with them as the sun began its work for the day. The layers of texture, color, and the drama of the light stopped me in my tracks! No matter how the day might unfold, it was a spectacular start. One of the best parts was not the building color so much as the drama that unfolded as the light came up changing the sunrise to a dramatic B&W. What an introduction to the day, glorious salutation!

The Blanket Creeps Down

The Bitterroots captured by Z 9 / Z70-200f2.8

Darkness comes at the dinner hour, frost covers the grasses at sunrise, and the nip in the air forces a jacket. Winter is here and looking up at the Bitterroots one can see the white stuff building up and coming on down the slope. The snows come in small storms leaving behind a few inches each time. The 10,000 foot peaks are all white now, the perfect cap for photographing them against the storms as they come and go. I have a few locations I like to stop and capture their drama in the breaks and recently, they have been pretty dramatic with B&W bringing that drama to life. This year, I decided to attempt to record it as the blanket creeps down.

Land of Contrasts

Firehole Lake Loop captured by Z 8 / Z24-120

Yeah, I am goosing it a bit by shooting when it’s cold so the steam is more predominant but you gotta have it in the first place, and Yellowstone gotz it! The volcanic activity that lives deep below Yellowstone produces so many photographic opportunities seemingly around ever turn. The challenge is bringing back that “heat” in your photos. To see the steam, one way is working with cold temps, in this case, the freezing point. Another is by having a dark background for the “white” steam to stand out. This of course brings photographic contrast into play. I added to that by including the sun, closing the lens down for the starburst and a stop underexposure. It’s what makes it so much fun shooting in the land of contrasts.

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