Huckleberry Had to Wait

The Bitterroots captured by Z 6III / Z24-70f2.8II

Saturday mornings, we typically greet the sun as we head to the Hamilton Airport. It’s where Vonnie is waiting for us with the most delicious Huckleberry Pancakes. Our table on the ramp had to wait though this past weekend as the skies were too gosh darn gorgeous to just speed off. The view from the ole homestead was again, breathtaking as the clouds did their dance. Just to have it out there, I don’t want you to think I really wasted anytime getting to breakfast. Once in the car and the bun burner going, I shot out the window. There was only so long them huckleberry had to wait.

When You Have Just a Sliver …

Yellowstone Backcountry captured by Z 8 / Z180-600

When Mother Nature provides just a hint, a sliver of new snow, you can make it speak volumes with just a touch of light. It would be convenient if She did so for us, but as you can see with these clouds, no light was coming. I turn to ACR Masking for the light. I simply select Objet and, as inaccurately as I can, brush across the top ridge of the mountain. Then I see what AI comes up with for the selection. 99% of the time, the selection is just as random in these instances as if the light was coming from the heavens. Then I simply raise the White and Highlights by maybe Five and bam, the sliver of snow speaks volumes.

Winter Makes Its Appearance

Absaroka Range captured by Z 6III / Z180-600

The tips of my ears were numb, the breeze coming down from the peaks bitter. The light walked across the mountain face as the wind pushed the clouds about. The winter storm that just hit us broke in spectacular fashion, producing photo ops in every direction. The hardest part of the photograph was braving the cold. The Z 6III was in Dark Tone Monochrome, the Z180-600 at 600mm and the rest, a great memory and rush back to the warmth of the truck. It’s with joy and awe that winter makes its appearance.

Holding On to the Last Moment

Last Color captured by Z 8 / Z180-600

Nestled in the corner in a wall of green, the last vestiges of fall hold on against the inevitable. The white outline of the night’s snow brings detail to every needle on the pine, setting the stage for the eye-popping color. Though it was across the valley, I couldn’t help but see the color as I drove by. The God skrim brought the right softness to the light and at the same time, saturation. All that was required to make the shot was a little telephoto isolation to what I felt was color holding on to the last moment.

The Morning of Awe

Yellowstone River captured by Z 6III / Z24-70f2.8II

As winter starts to creep over the landscape, the cooler temps and dew point introduce fog to the landscape. There are a couple of locales in Yellowstone that, when I see the right combo of numbers, I like to head to for sunrise. One of the furthest is where Alum Creek feeds into the Yellowstone River. We’ve been fortunate to be there in the past when the magic unfolds, filling cards and the heart. The end of October, though, was a special morning on the river. The fog was moving about as the sun slowly rose, raising and fading with the slightly warmer temp. As the fog danced, so did the color. Behind us at the forest’s edge, the Wapiti Pack was singing. It was the morning of dreams, one we didn’t want to ever stop. In my mind, it was the morning of awe.

Yellowstone River captured by Z 6III / Z24-70f2.8II

And the Color Guilt Begins

Baldy Town, Philmont Scout Ranch captured by Z 8 / Z24-70f2.8II

I love fall! I love the light, the color, the calm, looking forward to it every year. And it seems that every year I make the same mistake, which is not good. I see it out the window of the plane, the truck, the home, admiring the view, but not making or taking the time to share it with you all! There is no excuse as I know all too well I run the risk of not seeing or being able to photograph it next year. But another fall has gone by and I only have a couple of shoots celebrating it with my camera. That time thing, dang nabit! So I sit here looking at the bare branches. And the color guilt begins.

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