Holding On to the Last Moment

Last Color captured by Z 8 / Z180-600

Nestled in the corner in a wall of green, the last vestiges of fall hold on against the inevitable. The white outline of the night’s snow brings detail to every needle on the pine, setting the stage for the eye-popping color. Though it was across the valley, I couldn’t help but see the color as I drove by. The God skrim brought the right softness to the light and at the same time, saturation. All that was required to make the shot was a little telephoto isolation to what I felt was color holding on to the last moment.

The Morning of Awe

Yellowstone River captured by Z 6III / Z24-70f2.8II

As winter starts to creep over the landscape, the cooler temps and dew point introduce fog to the landscape. There are a couple of locales in Yellowstone that, when I see the right combo of numbers, I like to head to for sunrise. One of the furthest is where Alum Creek feeds into the Yellowstone River. We’ve been fortunate to be there in the past when the magic unfolds, filling cards and the heart. The end of October, though, was a special morning on the river. The fog was moving about as the sun slowly rose, raising and fading with the slightly warmer temp. As the fog danced, so did the color. Behind us at the forest’s edge, the Wapiti Pack was singing. It was the morning of dreams, one we didn’t want to ever stop. In my mind, it was the morning of awe.

Yellowstone River captured by Z 6III / Z24-70f2.8II

And the Color Guilt Begins

Baldy Town, Philmont Scout Ranch captured by Z 8 / Z24-70f2.8II

I love fall! I love the light, the color, the calm, looking forward to it every year. And it seems that every year I make the same mistake, which is not good. I see it out the window of the plane, the truck, the home, admiring the view, but not making or taking the time to share it with you all! There is no excuse as I know all too well I run the risk of not seeing or being able to photograph it next year. But another fall has gone by and I only have a couple of shoots celebrating it with my camera. That time thing, dang nabit! So I sit here looking at the bare branches. And the color guilt begins.

Bald B&W Beauty!

Grand Teton captured by Z 6III / Z180-600f6.3

The wx man promised us big, bold, stormy clouds. The cool day and God skrim would be perfect for photographing Moose, so off to the Tetons we went. What we found was quite the opposite, bald, warm skies. Jackson Lake had a fog layer present when we arrived a little after sunrise. We dashed over to the shoreline to take advantage of the temporary clouds. They were disappearing quickly. It was pretty easy clicking, the Z 6III in Dark Tone Monochrome that, in combination with the clear, crisp air, produced that gorgeous B&W sky. Then we saw a little wisp appear above the Grand Teton and the longer we watched, the bigger it got. Once the grand fog had left, we did as well, racing to an advantage point for the growing cap. Within a half hour, as you can see, it was really picturesque. The drama in the harsh light, for a change, worked in our favor, producing the simple yet dramatic portrait of rock. The skies produced a bald, B&W, beauty!

Grand Teton / Jackson Lake captured by Z 6III / Z24-70f2.8II

Yellowstone Wx in Fall

Lamar Valley captured by Z 8 / Z24-70f2.8 II

I was so happy the wx man’s forecast for clear skies was so wrong! We stopped so much in Lamar Valley, many thought we were on wolves or something. They would pull up and out their window, ask, “What is it, what to you see?” I would reply Lamar Valley or Yellowstone. They would turn, make a funny face and speed off. It’s so gorgeous, Yellowstone wx in fall!

The Simplicity of B&W

Tooth of Time captured by Z 8 / Z24-70f2.8II

A symbol to travelers crossing on the Santa Fe Trail, the Tooth of Time. When they came up to this massive rock, they knew they were a week away from reaching the town of Santa Fe. The Tooth is part of Philmont Scout Ranch and has come to mean a whole lot more to those who trek these mountains, many climbing the Tooth in the dark to celebrate the rising sun from its summit. I was not on the trail to summit, rather, at the Stockade. In years past, the skies have been bald from this vantage point, so I made no clicks. Those simple wisps of clouds made all the difference. A simple switch to the Z 8’s Dark Tone Monochrome was all that was required to make the click. The elements in B&W naturally arranged themselves, the moon being the final topped. It’s a major reason I love the simplicity of B&W.

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