A Good Problem to Have?

Baldy Town color captured by Z 8 / Z24-70f2.8II w/polarizer

It was a spectacular morning at 10,000 feet! We were up Baldy Town at Philmont Scout Ranch to greet the sun. The fall color was off the chart, blazing away in the first rays of the say. I set the camera to -1/3 comp, rotated the Nikon Polarizer to remove the reflection of the solid blue sky. In the EVF, I had that warm feeling from the frame. Once I got the image back in the computer, there was so much color from the under exposure and the polarizer doing its job, I dialed back the yellow some to finish the image. I don’t remember needing to do that before. I think it’s a good problem to have.

Falls a Comin!

Philmont Scout Ranch captured by Z 8 / Z26f2.8

Here in Montana and up at altitude in New Mexico, fall has started to pop. It’s time to get out the tools and techniques to bring back the memories. A couple of important tools at the polarizer. It removed the blue color cast from the sky from the leaves so their brilliance and color scream! I’m excited this year to be out with the new Z24-70f2.8 II, which produces a magnificent starburst. Simply close a lens down to it smallest aperture, make sure you front element is clean and then shoot. You can pinch the sun like you see here through a canopy to make a targeted starburst. Lastly, get boots on those feet and walk into a grove and look up! It’s a grand time to be out, so grab them tools, falls a comin!

The Long Ride Home

Uganik Bay captured by Z 8 / Z26f2.8

Nine hours later, we left our Kodiak Brown Bear friends and headed back towards camp. It was a full day of brilliant photography, conversation, fishing and laughs. One can’t ask more from life, especially from photography. With darkness upon us, we get in the skiffs and make the turn towards home to this gorgeous display. It couldn’t have mimicked the sentiments inside any better of our tremendous day! Seeing the skies ablaze, my mind wandered back to the day, a day that I wished never ended. What a day and I wished it lasted longer, hoping to soak up a little more time in the long ride home.

How Tall Is It?

Snowy Mtn, Alaska captured by Z 9 / Z600f4TC from a boat

Alaska from the water takes on a whole new feel as one sees towering peaks emerging from the sea. One can get a sense of it cruising around Cook Inlet. My favorite is being right on the water and looking back at land as the peaks soar into the clouds. We were on a boat going out to photograph Steller Sea Lions when the sea-going tug went by. In the background is Snowy Mountain, a 7000-foot peak. I’ll let that sink in for a moment, a 7000′ peak rising from the coastline, wow! Without that tug, it’s hard to get any sense of size. But with it in the lower corner and thankfully, with a white cabin, the question gets visually answered. How tall is it?

Setting The Mood

Kokadjo House captured by Z 8 / Z24-120

It’s that time of year when my mind starts to think more of spooks and spirits when I see that moody sky. I love clouds, that’s a given. Being in Maine, when I see ominous clouds, I think of Stephen King’s spooky clouds. This starts my mind down the road, looking for other elements to put with those clouds to finish the spooky story. The first step is the other elements and Kokdajo being at the end of the road seemed like a likely place to look. Then the Z 8 did its magic with Dark Monochrome. Then in post, I made the two houses on either side of the middle one disappear. With that, it was just a bit of darkening of the sky. Now it’s ready for Stephen to scare the heck out of folks. I just did a bit of setting the mood.

Working with August Sun

Monument Valley, Totem captured by Z 8 / Z24-120

The bright sun and its deep shadows can make using it to tell a story a challenge in summer. One solution I like to go to when I can is, Silhouette. The easiest way I know of making a silhouette is by placing the sun in the frame. And to make that star be the star? Close down the lens to its smallest opening and then restrict it more by “squeezing” it through a natural hole like you see here. If what you are silhouetting is a recognizable “something,” all the better. It’s just another way of working with the August sun.

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