Simple Click – Favorite from PPOC Photowalk
Gas Town was Way Cool!
Sharon & I had NO idea that Gas Town was part of Vancouver or just how cool it is! This is a building they called the “Flat Iron” which I have no idea is related in any way to the Flat Iron bldg in NYC, but it’s really cool. I didn’t have as much time here at the square as I would have liked. There is a whole photo essay to be shot here over time which I would love to have the opportunity to do. Then there are the people of Gas Town. These two girls were a hoot! Sitting inside grabbing a bite, I saw them as we passed and knew I had to make a click. Shooting with the 18-35AFS, I walked up to the outside of the window, smiled, pointed to my lens and then to them and made the body gesture if OK. They smiled and shook their heads so I asked to put their head together and made the click. The folks were so darn friendly and jovial, it was just a great time!
PPOC Vancouver Photowalk
Sharon & I had an absolutely marvelous weekend in Vancouver, CA at the PPOC conference! On Saturday, we went out with a bunch of brave folks (going on a photowalk in a city with a wildlife photographer) to Gas Town. Now, if you’ve never been to Vancouver, you gotta wander what Gas Town or its fantastic Blood Alley. Well, on the way there, we walked through some of the gorgeous architecture that is downtown Vancouver. The clouds were very cooperative adding to the great reflections.
The first question I get is, “What lenses?” I went really simply, shooting with the 18-35AFS and 80-400AFS exclusively on the D4. Both lenses lent themselves perfectly to the photowalk especially the 80-400 with its small size yet long reach. Isolating patterns, textures, people was what I was looking for and came back with some images that I really enjoy. The walk was cool but the folks were killer. Now I’ve not seen any of the photos taken when I posed with a Moose yet, but that’s probably better that way. That’s a whole other story! mtc
Please, Just Five Minutes!
That’s what I was saying in my mind, just 5 more minutes! The gale winds were building and being at the highest point in Bermuda (which really isn’t saying much) to photograph its lighthouse, the winds were already whipping us. But not knowing when I might be back again, I wanted to add this lighthouse to my growing collection of lighthouse photos from around Northern Hemisphere. But as you can see in the top photo, the two main elements I wanted in the photo, light and the clouds just weren’t clicking. Shooting with the D4 with the 18-35AFS I got in position and made the first click. That’s because I didn’t know if I had 5min or if the conditions would get better. Then, the clouds changed and the light came out and I jumped, closer and to the left to make the click. Na, it’s not an award winning photo. I simply wanted the best I could make with the moment I had. In my early years, I was the classic, “panic shooter” moving every which way trying to make all the great shots. With age and failure, I have vastly slowed down simply look for the one good shot that might lead to the great shot. With time, please.
2nd Morning in the Blind – The Platte
Well…I’m no longer in NE, off on another project but didn’t want to leave you hanging. After that amazing sunset the night before, it got real quite outside the blind. Just so you understand, they lock you in the blind at 16:30 and don’t let you out until the next morning around 09:30. You spend the WHOLE time in the blind, there is no going back to a warm hotel room (it got down to 18 at night). So you sleep right next to the river and normally, you can hear the cranes call all night long. Once cranes land at night, they start to wander, walking about and often, they walk hundreds of years up or down the river. When I woke up around 03:00 and didn’t hear them anymore, I had my doubts and sure enough, when the dawn’s light started to light up the sky, we looked out the blind to see the river in front of us, empty. That’s happens but doesn’t mean you’re toast.
This is my expression when they open the door on the blind…freedom! Even though there are no cranes standing in front of you, they fly overhead as they take off for the fields. So with the D4 connected to the 80-400VR3 I kept shooting the cranes as they peeled off. It was simply a great morning and a great experience. Want to thank Pastor Mark for again, a great time and having the in on selecting the best blind each night!
2nd Evening in the Blind – The Platte
First there are a couple of cranes and then ……
there are thousands! It’s such an epic, spiritual, beautiful site. It all unfolds in a matter of 30min and then it’s dark!
The photography is pretty straight forward. Seeing the light unfold, I grabbed the D4 connected to the 80-400VR3. I grabbed the D4 because I saw the conditions and knew they would change fast so I wanted the 10FPS. The clouds while partly made from contrails, were still going to give color and the cranes would be moving through the small patch of color quickly. While on the topic of color, I’ve noticed some on the boards suggesting it came from Photoshop. I would highly suggest that those not understanding what Cloudy White Balance in combination with -1 comp go out and try it. You might just find that you don’t need Photoshop for color, just a little photographic fundamentals in your pocket!