Setting The Mood

Kokadjo House captured by Z 8 / Z24-120

It’s that time of year when my mind starts to think more of spooks and spirits when I see that moody sky. I love clouds, that’s a given. Being in Maine, when I see ominous clouds, I think of Stephen King’s spooky clouds. This starts my mind down the road, looking for other elements to put with those clouds to finish the spooky story. The first step is the other elements and Kokdajo being at the end of the road seemed like a likely place to look. Then the Z 8 did its magic with Dark Monochrome. Then in post, I made the two houses on either side of the middle one disappear. With that, it was just a bit of darkening of the sky. Now it’s ready for Stephen to scare the heck out of folks. I just did a bit of setting the mood.

The Kids are Making Themselves at Home

Pileated Woodpecker captured by Z 9 / Z600f4TC @840mm

When the kid landed on the vertical perch, it was hard to stay silent in the hide! The parents came to the suet feeders all spring and even though they didn’t nest on our property, we at least were able to enjoy them. Then the first kid arrived and that brings new hope for next spring nesting. I’m I love watching the kids learning how to use the suet feeders, they are not sure at first. Though mom is showing them where they are, where to perch and to ignore the guy in the hide, the kids act so confused. When they come to the feeders on their own, they look around, dance up and down the perch, deciding where to stand, total characters. Our little community of Pileateds grew as the kids are making themselves at home.

Working with August Sun

Monument Valley, Totem captured by Z 8 / Z24-120

The bright sun and its deep shadows can make using it to tell a story a challenge in summer. One solution I like to go to when I can is, Silhouette. The easiest way I know of making a silhouette is by placing the sun in the frame. And to make that star be the star? Close down the lens to its smallest opening and then restrict it more by “squeezing” it through a natural hole like you see here. If what you are silhouetting is a recognizable “something,” all the better. It’s just another way of working with the August sun.

Making Hard Light Your Friend

White-tailed Deer captured by Z 9 / Z600f4TC

August, hard summer light and sweet fawns, what a photographic conundrum! How to make it work photographically can at times, drive me nuts! Have the good fortune to have it unfold literally in my backyard though has finally, after all these decades, come up with a basic boiler plate solution. The key for me is the spotty filtered light in the shadows. I tried unsuccessfully to have the subject in the light and the shadow behind them but that was a huge failure. Then by accident, I captured a fawn in spotty light and the light clicked in my head. Now, I look for that spotty light and with all my mental telepathy, direct the fawn to it. Yeah, not the most productive way to make a shot but on a rare occasion like this, it seemed to work. It’s one way I have of making hard light your friend.

Darkness is a Little Earlier, Now

Heavenly Bodies captured by Z 8 / Z14-24f2.8

The sun is going down earlier now, thunderstorms are gone, time to hit the hammock and stare at the stars. While I’m doing that laborious task, the Z 8 / Z14-24f2.8 is on the Benro Polaris Astro, is working as it clicks away. I’m a bit rusty, how to make it all happen didn’t readily come back to me, it could be the hammock effect. I was pleased to see this morning some results, a couple recording the memory of the heavens and one worth sharing. I have a couple of month with nice evening temps and earlier and earlier heavenly body shooting. Darkness is a little earlier, now.

Can’t Live Without It

Acorn Woodpecker captured by Z 9/ Z180-600 w/Profoto A10

Water, we can’t live without it! That goes for critters as well. And his time of year when the heat is turned up too high, they need it even more. Want to do a quick experiment, put a small saucer of water out in the middle of a field, a small rock in the middle of the saucer, and watch how fast birds come to it. You’ll wonder as I often do, how to they find it that fast. That just shows us how important it is to them. The bird bath you see the Acorn Woodpecker in above was dry, had been dry for quite some time (it’s at Mader Canyon). We put water in it and instantly, instantly it was in use. It was so important that the birds would permit me to stand within shooting range, right out in the open and photograph them, without any hesitation. You can buy those $2 pot trays, throw it out with some water and instantly have subjects to photograph, it’s amazing. That’s be cause we can’t live without it!

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