Eastern Sierra Adv – July ’10

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WRP is offering the next in our incredibly successful Eastern Sierra Adventure 8-11 July, 2010. We’ll be based the entire time out of Mammoth Lakes and working what I think will be a spectacular spring. Spring in July? We’ll be starting at 8000′ and working our way up to 11,000 during the week, spring comes a little later at those heights and I think, just a little sweeter. Yeah, we’ll do some wildflowers and some lakes, some rocks, a mountain or two and a mine. Jake will be co-leading and Stephanie will most definitely be assisting the digital darkroom sessions. The price is $1195 which includes instruction only and is limited to 6 participants. Give the office a call at 760.924.8632 if you want to make fantastic photos in rarefied air!

The Thought Just Popped In

It’s Friday morning and we’re cruising for bull. No, not for me…Bison Bull and in particular one called Crusty. We had a good snowfall and the air temp was just hovering around double digits so there was a possibility of finding him. We headed to the one place where there are always bulls, Gibbon Meadow (and we were told the Canyon Pack from the day before were heading that way). We made the turn in the road and….nothing! We had some nice hoar frost so we worked it and then kept heading down the road. We made the turn in the road and off in the falling snow is Crusty so we slammed on the brakes and started to walk.

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We ended up walking a couple of hundred of yards in the snow to get the cleanest background possible while staying on a rise to shoot down a little and stay out of the grasses. It’s snowing and the light is kinda flat. I’m shooting along and not really thrilled with the results, the flat light just grayed out the bull and that made the snow less white. Then the thought just popped into my head.

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What if I switched the Picture Control from Standard to Vivid? Would its tonal curve pump up the contrast even though there isn’t really any vivid color to bend? I checked my results on the camera’s LCD which I totally don’t trust so I asked Tom & Jim to try the same and tell me what they saw. This is what we all saw.

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Yeap, just a little pump in the contrast which makes all the difference in the world to the photograph. Keep in mind I am a fanatic about getting it right in the camera. I wouldn’t even go so far as to pump up the contrast in post when it comes to my wildlife images so I really like this in camera solution. The top & bottom images shot on Vivid, middle photo on Standard, WB=Cloudy, Exp Comp=0.

Photos captured by D3s, 600VR w/TC-17e on Lexar UDMA digital film

If Only…

It doesn’t help my photography one bit, but I like to collect stats on things that occur during the business day, week, year and decade because, well, I just love trivia. I don’t count how many paperclips we use at WRP (which, with the advent of digital we hardly use them anymore) but I do count how many times certain questions are asked. I’ve written and spoken many times that the #2 email question I receive is, “What is the best f/stop?” With that trivia thrown out there, I’ve never been asked what’s the number one question. Looking over the stats for 2009, I was surprised that one question had eked its way up into the #10 spot.

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“If you only had one lens to use, what would it be?” Now you might think this question is a sign of the times, budgets are thin, or a photographer just starting out, trying to make the most of the dollar they have. But I’ve been asked this question since 1991 when the 1st edition of Nikon System Handbook was released. What always gets me is, typically folks preface the if only question with, “I just read over the contents of your camera bag” which to me kinda indicates that I feel that I need more than one lens for my photography. Of course when I point this out, that I have many lenses, each one filling a particular notch in my visual quest, they still repeat the if only question.

This leads me to a much bigger question and one much more important to photography then my stats. Why do photographers tend to limit themselves? Doesn’t life do that enough without our seeking such limits? My 600VR, my baby, went in for its annual check-up in December. That was the longest 8 days when it wasn’t sitting next to me at my desk. Birds were coming in but I couldn’t do a thing without the 600mm. At least that was my first reaction. I had two choices, not take any photographs or, push the imagination and try some other lens on some other subject. You’d think at first that the only lens I did own was the 600mm during those 8 days by my mobbing but it was quite obvious very quickly the only limitation was my imagination and not my lens selection.

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“If you could only go one place this year to shoot, where would you go?” Another if only question I receive (doesn’t make the countdown) also seems to be a self-defeating question. I am incredibly fortunate and I will go to many places this year, all places I want to go to. With that said, just because I want to go to them and plan to go to them, will they produce great images just because I’m there? About half the time, no, I’ll get skunked and that’s with all my contacts and expertise. If only it weren’t so bloody hot here in Yellowstone where I am right now I could make some incredible images (it’s +40 hotter than normal). But it is that hot and it’s still Yellowstone, and as my good friend just said so well, wouldn’t want to be anywhere else right now. I understand folks have vacations they want to plan and often they are shooting vacations. But why limit yourself to some place I might want to go. Hell, I spend time in smelly sumps in Bakersfield for fun, you sure you want to follow me?

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If only it was our imaginations we were pushing and not the gear. If only great light were present every time we ventured out with our lens. If only the critters would come to play on our schedule and not theirs. If only there weren’t clocks and rules and work and all that horrible stuff that comes to us on the news. If only…

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There is no one magical lens, no one magical body, no one magical Photoshop trick or magical computer. There is no one right photographic teacher. What is magical is the spirit in each and every photographer to take the sensory input they receive and turn it into a photograph that can grab the world. There’s no if only in this, it is a limitless “if”, if the imagination and heart are permitted to do what they do best. Wander! You need a bag of gear (I don’t want any calls from spouses from that one), a calendar of time and an area the size of the planet to fill that wandering. And when you start on that quest, then you’ll know firsthand that there is no “if only”. As soon as you put your right foot in front of your left foot, you’ll have the answer and the best part is, you’ll have the answer for yourself. Sheyrl Crow sings it best and what I remind myself daily. “It’s not having what you want, it’s wanting what you’ve got”

Oh, and what’s the #1 question I get asked? What’s the B. in my name stand for? My answer is one that was provided me in a phone call we received once. An elderly lady called and asked if the B. stood for Bull. I like that answer!

Yellowstone Adv – Wolves!

This was one of those magical days in a career you know will come if you put your time in. So you drag your butt out day after day long before sunrise is even a hint on the horizon just waiting for it. We made the bend in the road at Seven Mile Bridge when Steve says, “Is that a Wolf?” There, beside us is a Gray Wolf pulling on an elk carcass. Could have grabbed its tail by reaching out the door! It’s just after 7AM, the sun won’t rise for another 30min but it won’t help, it’s snowing. No matter, even with the worst possible light we stop and get out cautiously.

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It was a no win situation from the get go. A moving subject in no light on white snow. There was no way to make the great image or even making any real image so with nothing to loose, I advised cranking up the ISO so that this rare opportunity could be captured at least for their memories to reflect on later in time. I grabbed the D3s, attached the 200-400VR and slipped out. I made the handheld shot at 1/30 at f/4. It will never make it on the wall or in a magazine but it is forever embedded in my heart!

Shooting in no light with the subject under a tree making things worse with an high ISO that you knew would produce noise because of the light, I made the decision for myself to ditch stills and go to video. A reason for having video in our DSLR. This plan had long sunk into my shooting as a possible option before this moment so it only required a push of the LV button to put into action. I am so glad I did, see why.

01.01.2013 Pages are in the process of being updated. In the meantime you can watch our videos on our YouTube Channel as well as all Videos are available on iTunes as Podcasts!

This video was shot at ISO6400 and while it will never win an Academy Award for technical excellence, it was more than acceptable to the wolf biologist Jesse who came by after our encounter. He had been tracking the Canyon Pack with telemetry and with the video playback, could confirm it was that pack and with that, an exchange on information occurred. I like Jesse, smart kid and I’m sure he’ll have a long career in wildlife management. We talked biology, he provided great insight into the pack which help be decide to spend the whole day on the kill and even cameback to tell us of a Bobcat up ahead (stuck with the carcass, blew off bob). I just love biologists!

What an amazingly spectacular day, one that is one of the great rewards of this profession. To see such a wonder as wild wolves, being able to share it with photographers wanting to improve their wildlife photography and coming back with a couple of snaps too, what a gift!

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Photos captured by D3s, 200-400VR / 50f1.4AFS on Lexar UDMA digital film

Yellowstone Adv – Bighorn Sheep 101

It was simply a marvelous day! Simply put, we took the group to a part of the Yellowstone ecosystem that few others ever explore and learn about. After a great morning we ended up with one of my favorite species, Rocky Mtn Bighorn Sheep. For the majority of the group, it was the first time they had ever seen a Bighorn let alone photograph them so it was a learning experience all the way around!

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Here’s one of the afternoon rams, pretty sweet example of a ram if you ask me. The light is nice, not perfect but a good start. The background though is a little busy with the head, tan in color, blending in with the background which is a pretty similar shade of brown. So first thing we need to do is improve the background.

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OK, while we can fine tune the background a little by our moving, most of it has to be done by the sheep’s moving which means putting in your time and waiting for the right moment. So the ram moved into a little nicer light and with a little better background but we can do better by just waiting a little longer.

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The subtle change in the head, the gesture, makes all the difference to making a better image. This takes not only waiting but knowing that better can come and that the better is a simple head gesture.

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But making the shot I love the best from the afternoon required waiting four hours, for the light to go almost flat and improve the angle of the camera to the ram. I just don’t like the warmth the afternoon light brings. I don’t like shooting straight on the ram, rather shoot up slope a little and like the biology than the portrait. These are the basics for sheep photography. FWIW…all images shot wide open at f/6.7.

Photos captured by D3x, 600VR w/TC-17e on Lexar UDMA digital film

Yellowstone Adv – The Skies Open Up

After a picnic lunch at one of the best spots on the planet to have a picnic, we headed back down the road. We came around the corner when the skies opened up. It wasn’t for long, but long enough to make some really gorgeous clicks of a gorgeous winter landscape.

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Now with the one frame success from the previous day with this new processing thought, I had to play with it more today. I found some images that didn’t work so well. I found a couple others that I was kind of impressed by. This is one of them. Above is the after, below is the before.

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The extra drama in the clouds is what I’m liken and what I’ll keep focusing in on. Those who follow me on Twitter got this additional hints tonight: 1 camera, 1 lens, 1 click, no in camera or software filters and handheld. More to come :)

Photo captured by D3s, 14-24AFS on Lexar UDMA digital film

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