You Have 364 Days Left!

Yellowstone Grand Canyon grove captured by Z 9 / Z70-200f2.8

I know I know, the wrapping paper from this year has barely hit the floor and I’m talking about Christmas 2023! This is an old editorial photographer habitat, taking photographs this season in preparation for photographic needs for next. If your client asks for fall themed photos from you right now being winter, you can’t go out and take them. This means that if you didn’t take them this last fall, you don’t get the opportunity for a payday. That kinda thought process runs through my own photographic needs and one I have every year is, the photo for my Christmas greeting blog post. This years was taken last year so now I’m working on next years.

Yellowstone pine cone captured by Z 9 / Z24-120f4

These are two runner ups here for this year’s post. There are a couple of tricks I use in this process to pass along. Most important is to create the message this year you want to use next year. What does it look like, say and what type font? This is needed to determine in part the elements in the photograph. And it’s a lot easier to create this now while you’re still in the Holiday mood then next fall. With that, I take the photos and this trick is really important. Photos I take this year for next year I make a copy of the finished photo and change the file name to Xmas ’23#1, #2, etc. I do this so I can FIND the photos a year from now. All I have to do then next Christmas is to select the photo I like best, maybe make some tweaks and post. The panic is on in my mind, I only have 364 days left!

Add That Somethin to the Color

Snow Geese at sunrise captured by D5 / 800f5.6AFS

Photographer or not, we’ve all seen that killer sunrise or sunset. That puts the challenge on us to take our sunrise / sunset beyond the common to the uncommon. One real simple and effective way to do that is place an element(s) in that color to make the viewer stop and look. In this case, it’s a big flock of Snow Geese lifting off a pond at Bosque del Apache. You can then up this simple idea by having some pattern, symmetry to the elements you have in the frame. And in this case, shooting with the 800mm lens, I was able to isolate the most intense portion of the color with the geese. That’s just adding another layer to added somethin with the color.

Just Because …

Blood Moon 11.08.22 02:07 captured by Z 9 / 800f5.6AFS

The alarm went off at 01:45 and the clock announced the outside temp was 8 degrees. I had setup the rig, Z 9 / 800f5.6AFS, the night before so all I had to do was step out on the deck and photograph the Blood Moon, the total eclipse. I could see the moonlight outside so I was delighted. I stepped out and looked up to see the clouds ripping by. I looked at the time, I had ten minutes until the eclipse would start. As the time got closer the clouds got thicker and thicker. Then the eclipse started and what you see is what I saw. I few minutes later, I could no longer see the shadow of the earth as the moon became just a glow behind the clouds. I decided to stay up until 03:16 when totality was supposed to occur. I bundled up at 03:05 and went outside, it was really dark. I was hopeful until I looked up. There wasn’t even a glow from the moon, there were just a huge wall of clouds.

Photography has no guarantees, none! You can own the best gear, have the best technique, be on top of your craft and be in the right place at the right time but that doesn’t mean you’ll come back with the photo you want. It’s at times like this and I have had hundreds of them, I think about those words by James Taylor. “The secret of life is enjoying the passage of time.” Amen

Glorious!

Electric Peak captured by Z 9 / 180-400R

As fast as the truck could stop on the ice it did, we did … the sunrise as just … glorious!

The View is Grand!

Yellowstone North Entrance, 2 image pano captured by Z 9 / Z24-120

Yellowstone in winter is spectacular, and the new North Entrance road provides grand perches to take it all in! I just love the new road (the old road is at the bottom of the image) and they built some pullouts with me in mind it would seem. The storm was just on its way out when we pulled over bringing more drama to an already perfect location. It’s just wow, the view is grand!

Snow Baby … Snow!

Hayden Valley captured by Z 6II / Z70-200f2.8

Yep, this is what the drive to MSO to catch my flight looked like, gorgeous! On my way to Austin, Precision Camera’s Winter Expo … how apropos! This shot from last year in Yellowstone is exactly how it looks right now with winter well underway with the wind blowing. A couple of things to remember working in these conditions. Most importantly, if you don’t know how to drive in these kinds of conditions, this isn’t the time to learn! Next, driving or shooting, give yourself lots, lots of extra time. You want to move slow so you don’t slip or slide and have an accident. Dress warm, head, hands & feet and drink plenty of water to stay hydrated and warm. Lastly, have a ton of fun cause it’s snow baby … snow!

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