I Dunno

Lamar Valley captured by Z 9 / Z24-120 B&W / Charcoal / Graphite / Sepia (4 image gallery)
The Soda Butte B Stop is very well known to me, been there more than once. The views from there for critters and the vastness of Lamar Valley always make me pause no matter how bad I need the B Stop. Last week looking to the east the haze cast a nostalgic light over the mountains. It kinda looked like one of those really old post cards that were so popular back in the 1920’s. I wanted to take that home with me so I hit the i button on the Z 9 and dove into the Creative Filters. First was B&W, then #17 Charcoal then #18 Graphite, and finally #13 Sepia. I kept moving through them looking for that “postcard” in my EVF. It was so important to me, I even left a voice memo on the files to remind me forever (Photo Mechanic shows voice memos) that’s what I was thinking, feeling, when I took the photos. When I got to finishing the photos, I ran the Preset for each Creative Filter and I gotta admit, I’m no closer to seeing / feeling that “postcard” and it’s frustrating me. I’ll figure it out but right now, I dunno!

Purdy Slice of Color

Two image pano of Yellowstone Color captured by Z 9 / Z14-24f2.8

Mother Nature did all the heavy liftin! This is a simple, hand-held two image pano taken of the purdiest grove of Aspens alongside the road. Backlight makes the color pop. F/22 creates the sunburst and ACR bought the two images together. Simply was a darn purdy slice of color!

Lonesome Dove Night

“Gus Draw” New Mexico night sky captured by Z 9/ Z14-24f2.8

Remember the scene where Gus is attacked by Indians and hides in a hole in the creek wall from them? Well, that’s what you see, well could see it if it weren’t night, at the base of these photos. We were out there though in the brisk air just to have fun with heavenly body photography the excuse. The basic exposure was ISO1600 / f2.8 / 6sec and for a change, no bourbon or coffee, just laughs to keep us going. New Mexico has such a gorgeous and romantic landscape, almost criminal to shoot at night!

“Gus Draw” New Mexico night sky captured by Z 9/ Z14-24f2.8

Big City Landscape

Sydney Skyline captured by Z 9 / Z24-120, B&W out of the camera (A Gallery of image here click on arrow to see them all)

There was a time back in the ’70s when I flirted with the idea of going into architecture photography. It’s probably because of the math, all the lines, engineering, and symmetry that grabbed my imagination. While I didn’t pursue it, when I’m in a big city (they are all big compared to where we live) I tend to indulge those old flames by pointing my lens up. So was the case when we were in Sydney a few weeks back. There is no doubt the clouds are what made me look up and after that, it was just fun. I’ve already posted some of my photos of the Opera House, but I saved a couple for here because the Sydney skyline wouldn’t be complete without including them. Is there a “trick” to this stuff? I think that if you don’t feel it, it won’t come out in the photo. The it? A bit of passion for the lines, I think it’s all about the lines. A couple of the shots, the lines were squared up in ACR, otherwise they are as they lead. And after this, where did I go to shoot? Why, back to the forest of course. It would seem I can only take a few days of the big city landscape.

Whata View!

Chugash State Park, AK captured by Z 9 / Z24-120

Up in AK waiting for the annual family reunion to begin. There I sat in my chair wrapped up snug as a bug watching clouds go by as behind me passed a Black Bear Family and in front a lone Griz. Off to a great start. Yep, life if mighty good!

Might Be One of Those Falls!

Vermont Hillside in 2004 captured by D2x / 200f2

Great fall color needs a couple of things, for that be explosion it’s a cold snap and moisture. Most of North America is missing the moisture which means big fall color might not happen. Seeing the handwriting on the wall last winter, I didn’t plan any fall color travels this year. Looking at our own trees going from green to brown, I’m saddened I was in the ballpark. Yes, there are some regions that will have color and that’s your mission to find if you want to photograph it. Search the web for regions with above average rainfall in the last forty-five days. Then narrow that down more by searching regions that received above normal moisture late winter. Compare those two searches and look at current temps for a cold snap. That might be your best bet for fall color this fall. I’m bracing for what might be one of those falls!

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