Wind’s Snow Sculptures

Yellowstone snowscape captured by Z 9 / Z50f1.2

Snow is this magical form of water that dances down to settle on the landscape at the will of the topography and wind. Often it’s just a carpet of white undulating with the land reaching for the horizon. Then there are times when the lands and wind come together to create the softest of sculptures lasting at times, just for hours. It requires cold temps creating very light snow that doesn’t stick to itself. It seems forever, these natural art forms have fascinated me causing me to point my lens at them trying to capture their fleeting time. This past week in Yellowstone i think, think I might have found my own personal recipe for bringing those sculptures home.

It all starts with a snow storm dropping a minimum of an inch of new snow. If it’s falling on old snow that has already started to melt, if can take more than an inch of new, You then need that breeze to work its magic, Finally you need the soft light so you have the ever so slight shadow, It’s that shadow that brings life to the sculpture. What I found this year bringing home so many images I like is the lens. The Z50f1.2 with its “normal” angle of view and its really shallow DoF brought to the viewfinder what I’ve been looking for. The final ingredient I like to add is exposure, top photo was +1/3 and the bottom was +2/3. Might not have been enough but it works. I realize snow for some does nothing for them and while others, they don’t wanna see anymore of the white stuff. There’s no question I’m a bit different. I go out when it’s -26 with the Z 9 looking for winds snow sculptures.

Yellowstone snowscape captured by Z 9 / Z50f1.2

Time Rewards All

Pine Marten captured by Z 9 / 800f5.6AFS

If your time machine took you back forty-two years to the Central Coast of California, you would have found Sharon & I with the trunk of the Camero open, chairs out watching and photographing the Southern Sea Otter. A very endangered critter, it was the first member of the weasel family that grabbed my imagination. A few years later I was at a Black-tailed Prairie Dog town in SD where a Black-footed Ferret popped up from a burrow right next to me to give me, “that stare.” It instantly went back down and a minute later popped back up from another burrow and then disappeared. I was hooked but the weasel family is not one to easily find, study nor photograph.

There was one part of their biology I really wanted to capture, their “periscope.” Water or land based, all members of the weasel family get their head, neck and back up above the landscape to spy on what’s around them. In that process, the look on their already cute faces becomes even cuter. Last week in Yellowstone, I saw my opportunity so I went and set up to capture just that one photo. Didn’t care about any other, I just wanted that one! Because, it just takes one photo to tell the story. It was gently snowing, the light saturated from the overcast, the conditions were, picture perfect. To show off the falling snow, I needed a dark background and I wanted the Pine Martin front lit. Those two requirements dictated where I was going to stand. I was going for just that one photo. I’ve seen it in Sea Otters and River Otters, Ermine and Fishers but this I figured was going to be my best chance in forty-two years to captured it. It just required two more hours and I finally had the photo I wanted. The one Sharon said, “that’s exactly what I want for the wall.” Time rewards all.

“It was here that the romance of my life began.”

Bison captured by Z 9 / 180-400VR

The winds were picking up, the snow just starting to fall and the ground fog forming. It’s winter in Yellowstone and I know of no more beautiful place to spend with our wild heritage! We had four old, bull Bison out grazing in Hayden Valley. The windswept landscape and light brought to mind an old Teddy Roosevelt quote from No Dakota. Your fingers might be tingling from the zero temp. The blowing snow filling up your ears. Your nose running because …. and yet there we stood out in the elements with these amazing creatures. It’s all summed up … “It was here that the romance of my life began.”

The Kiss of Hoar

Hayden Valley Tree captured by  Z 9 / Z70-200f2.8

The tree is not new to me been looking at it for decades. Not as a possible subject but for what critters but be using it. So yesterday as we were approaching it I did as always, checked for critters. Last critter I saw in its shade were coyotes. This day, nothin. But then I saw the glint of sparkle on it from the hoar frost. Then I saw the slope, then I saw its shadow. By the time my mind processed it all I had to yell STOP! The snowcoach pulled over, I grabbed the gear and walked back the could of hundred yards to make the click. The making of the photo was pretty straight forward. But the Z 9 into monochorme, focus and click. Done. In the end, it because one of my favorite winter tree photo from Yellowstone. And I’ll never think of this tree the same way except for with its kiss of hoar.

The Quest Continues – Thankfully!

Great Gray Owl captured by Z 9 / Z400f4.5 w/Z1.4x

Sax-Zim Bog never disappoints and this year was no exception! The Bog is a magical place, the home to some really cool bird species and unique shooting opportunities. One species in particular draws me back every year and that’s the Great Gray Owl. The biologist for The Bog believes there as many as twelve resident pairs. Finding just one of those possible twenty-four Great Grays isn’t easy. The ice covered dirt roads take you through their forest home where every single tree could be a roosting Great Gray watching you pass right on by. We’re talkin three hundred square miles of habitat! Despite that normally one is found and this year we had one on three different days. But just because you see one though doesn’t mean there is a photograph to be had. Normally you find them in the afternoon not too long before sunset on the hunt. Spending quality time though is the biggest challenge as I’m not the only one wanting to enjoy this unique member of our wild heritage. But the encounters with the Great Gray Owl of Sax-Zim lit a fire in me so now that I’m back home, we found one just a few miles up the road we can enjoy and study. I’ll be going back to The Bog again next year even so no matter what though. The quest continues, thankfully!

Great Gray Owl captured by Z 9 / Z400f4.5 w/Z1.4x

No Time Like the Present!

Sax-Zim Bog captured by Z 9 / Z24-120

So many times I’ve seen a scene, a subject and my heart gives way to logic and I just keep going. I don’t stop and not until later do I regret it. Ever been there? I learned long ago the hard way that there is no time like the present to make the image. Last week in Minnesota is a perfect example. The ground fog was thick and the temp and dew point created gorgeous hoar frost. It takes just a drop of sunlight to make it all disappear, I know that, so without hesitation I stopped to shoot. Like so many aspects of photography, it requires previous failure to learn this simple concept. It requires seeing the photograph in the review mirror, the turning around and not seeing the photograph at all, to know you should have stopped when your mind and heart screamed, stop! Not that every time that happens and you stop there is the photo of the lifetime, but there is nothing worse than the shadow of doubt, the “what if?” That’s why no matter what if my mind says there is a photograph, there is no time like the present!

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