The Wood Stock, also known as Flinthead is a large and at times awkward looking bird that was once near extinction. Hunted for its breeding plumes, it was placed on the Endangered Species list in 1984. Since then their numbers have steadily climbed so now they are about to be delisted. It’s this time of year when they are hard at work increasing their numbers even further. When there is enough water providing habitat for their prey fish they produce eggs. In drought years, they might not nest at all. This is a good year and they are quite busy creating some fun photo opps for the patient photographer!

Patience at the rockery is required as a majority of the time they are either just standing or sitting on the nest. At the same time, being all white and nesting in live tress, you gotta have the right light or you just come back with yuck. Luckily the male spends some time in the evening gathering and delivering sticks to the female for the nest. With this knowledge, you want to set yourself up so you can pan with the incoming male watching for the best background. Then the challenge is not just panning but having a shooting path when the male gets to the nest. That’s because the male you’re panning with might not go to the nest you can see, it might be to one hidden in another part of the tree. It is quite a bit of fun. And if it’s a really good evening the male gets rewarded by the female when it makes its deliver. That birds and the bee thing. Just need an active rockery, great light and that male incoming!

The two elements you can have “control” over are light and background. And here is where your passion and talent can shine. The obvious element you need are the birds and when going for flight shots its helps that you have a predictable flight path. For example, birds flying into a rookery or a bird feeder. You need more than one flight in order to prefect every part of the photographic process. For this example I had food working for me. The Pelicans were feeding on a school of bait fish between Sunrise Bridge and North Fishing Pier in Florida. It’s a favorite haunt of mine and this evening the opportunity presented a very uncommon photo.

So evening, there is the light component for creating an uncommon photo. The background is the water which is common but what was reflecting this evening was not. The combination of clouds, fog, light and construction on the bride made an incredible pallet of colors. You can see below on the left the light quality on the pelican, it’s very nice light. You can see on the right the background which when in focus is not so nice. But when the pelicans took advantage of the ground effect and glided effortlessly over the water is when the combination of all the elements came together. The last element added to the photo was a slow shutter speed. It was 1/50 so there was a feel of “speed” to the photo. And with that, the photo was made. Keep an open mind as you follow your passion for bird photography. Look for the patterns, the elements and try it all when it makes sense. You never know when it all comes together even when it take a bridge.

We owe a lot to Sanderlings, they keep chasing the sea back into its place. Laying down in the sand using a panning plate to see their world from their point of view, the waves appear to be a tsunami. There are times when watching these LBJs I forget to take their photo as I so get into what they are doing. Take this individual. Just seconds after this photo was taken it did a complete 180, ran less then a foot, reached down and plucked a little worm like critter from the wet sand and sucked it down. How did it know it was there? It come in with the tsunami? Did it make some noise? How with all the chaos of the crashing waves did it find a meal? It’s just amazing how such a little critter in what appears to be a brutal world goes about life with such glee, always dealing with a tsunami!