Feederwatch Time

Black-capped Chickadee captured by Z 9 / Z400f4.5 w/Z1.4x

Bird feeders are a great way to enjoy our wild heritage simply from our homes. In some regions supplemental feeding from feeders is critical. Feederwatch is a winter bird count at all of our feeders for science to find out more about all of this. I love bird feeders, I have quite a few at The Ranch and right now I’m at Sax-Zim bog and spent a few hours at some feeders yesterday doing exactly what Feederwatch is all about. When it comes to photography, you don’t want to photograph the birds on the feeder but on perches they use in their comings and goings. That’s what’s happening here. Check out the Feederwatch website, grab your lens and get involved!

Pine Grosbeak captured by Z 9 / Z400f4.5 w/Z1.4x

B&W a Natural for Snow?

Powerline Trail captured by Z 9 / Z24-120

When to use B&W, that’s a great question that is asked so often. In the most technical sense, you need a clean black and a clean white as the starting point to a successful B&W print. The print only comes from time in the field with a camera. In this pursuit, the white is the harder of the two to find. But not in winter as much as snow in the right region abounds. We often though want to bring “warmth” to the winter scene. The juxtaposition easily works within the bounds of the viewfinder. This mean typically a color versus a B&W photo. On the other hand the drama and romance that B&W brings to a snowed covered landscape can tell a more powerful story. This brings us back to the question, when to shoot B&W? I’m so confused … not really but then I live in snow country and I think that’s the key. Not living in snow but rather your emotional response to snow, snow covered landscape, cold and telling its story visually. The one time I know I’ll go B&W is when the drama in the sky screams snow storm coming! The white of the snow against that landscape is power and that power comes out dramatically in B&W. But with all of this said, it still begs the question, B&W a natural for snow?

Time to Shed the Past

Mule Deer buck captured by Z 6 / 180-400VR

We just love our UPS guy (Haley is great too!)! Curt is 5th generation Montanan born and raised here in the Bitterroots and is all Montanan. He is sooooo into critters that when he delivers we talk and talk and talk about what’s about, what he’s seen and asking me what I’ve been pointing my lens at lately. He’s also a craftsman creating some great pieces. On his visit yesterday, our conversation went from owls to the deer. That’s because it’s that time of year when the Muleys and White-tails drop their antlers. Neither of us have actually seen it happen but two cool videos have been shared where you see them just shake their head and they pop off. We both were wondering if before that if they pounded them on something or, if they just do pop off. The funny thing in the two videos and one we’d seen of a moose was that when the shed hits the ground, it startles the critter so they run. So Kurt is looking at the deer tracking the bucks to find the sheds for his crafts and me to photograph the process. It’s that time to shed the past.

You Have 364 Days Left!

Yellowstone Grand Canyon grove captured by Z 9 / Z70-200f2.8

I know I know, the wrapping paper from this year has barely hit the floor and I’m talking about Christmas 2023! This is an old editorial photographer habitat, taking photographs this season in preparation for photographic needs for next. If your client asks for fall themed photos from you right now being winter, you can’t go out and take them. This means that if you didn’t take them this last fall, you don’t get the opportunity for a payday. That kinda thought process runs through my own photographic needs and one I have every year is, the photo for my Christmas greeting blog post. This years was taken last year so now I’m working on next years.

Yellowstone pine cone captured by Z 9 / Z24-120f4

These are two runner ups here for this year’s post. There are a couple of tricks I use in this process to pass along. Most important is to create the message this year you want to use next year. What does it look like, say and what type font? This is needed to determine in part the elements in the photograph. And it’s a lot easier to create this now while you’re still in the Holiday mood then next fall. With that, I take the photos and this trick is really important. Photos I take this year for next year I make a copy of the finished photo and change the file name to Xmas ’23#1, #2, etc. I do this so I can FIND the photos a year from now. All I have to do then next Christmas is to select the photo I like best, maybe make some tweaks and post. The panic is on in my mind, I only have 364 days left!

Background + Attitude

Ring-necked Duck captured by Z 9 / Z400f4.5 w/Z1.4x

Waterfowl have a number of really cool attributes making photographing them incredibly rewarding. There is the watery world they live in, it can be an instant clean background. There is their coloration which is the rainbow personified. Then there is their head shapes making them distinct and at times, comical. The fun is combining all of these elements into one frame that says it all. Take this Ring-billed Duck male as an example.

The top frame is my favorite and it came after spending about an hour with them. I started by finding a place to stand to get the reflections I wanted in the ripples, the background. They changed based on where I stood and what the water saw to reflect. There was a partial God scrim going so by making small moves, just inches, I could play the gray / blue patchy sky in the ripples. Then there was the light on the “purple” head feathers that the sky was helping as well. The indirect light was essential in getting that color. Then finally was putting them together with the “eyebrow” head shape with those orange eyes. The top shot was what I was after, the gallery below (click on arrows to see all) are the shots leading up to the final one. It was a ton of fun just working the duck to get the right combo of background plus attitude!

-8 And Dropping

American Goldfinch captured by Z 9 / Z400f4.5 with Z1.4x

It was -8 yesterday when I photographed this American Goldfinch waiting in line to get to the feeder. It’s -24 at the moment warming up to -10 today. In these conditions critters need those calories to stay warm. They need even more the free water, the line for the water feature /bird bath is even longer! I have the blind over the glass door so I don’t disturb causing them to burn more calories then necessary. They have enough problems with the Sharpies & Coop and then on Tuesday, the Goshawk moved in! I literally looked out the office window and saw it perched there. It stayed long enough out in the open for Sharon to see it once I picked my jaw up and then moved to the back side of the tree. We’ve watched it pick off a flicker and dove but not gotten glass on it, yet! I figure I’ll get serious about getting out and photographing it, once it gets warmer which, might be relative today!

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