The Kiss of Hoar
Hayden Valley Tree captured by Z 9 / Z70-200f2.8
Hayden Valley Tree captured by Z 9 / Z70-200f2.8
Sax-Zim Bog never disappoints and this year was no exception! The Bog is a magical place, the home to some really cool bird species and unique shooting opportunities. One species in particular draws me back every year and that’s the Great Gray Owl. The biologist for The Bog believes there as many as twelve resident pairs. Finding just one of those possible twenty-four Great Grays isn’t easy. The ice covered dirt roads take you through their forest home where every single tree could be a roosting Great Gray watching you pass right on by. We’re talkin three hundred square miles of habitat! Despite that normally one is found and this year we had one on three different days. But just because you see one though doesn’t mean there is a photograph to be had. Normally you find them in the afternoon not too long before sunset on the hunt. Spending quality time though is the biggest challenge as I’m not the only one wanting to enjoy this unique member of our wild heritage. But the encounters with the Great Gray Owl of Sax-Zim lit a fire in me so now that I’m back home, we found one just a few miles up the road we can enjoy and study. I’ll be going back to The Bog again next year even so no matter what though. The quest continues, thankfully!
Great Gray Owl captured by Z 9 / Z400f4.5 w/Z1.4x
So many times I’ve seen a scene, a subject and my heart gives way to logic and I just keep going. I don’t stop and not until later do I regret it. Ever been there? I learned long ago the hard way that there is no time like the present to make the image. Last week in Minnesota is a perfect example. The ground fog was thick and the temp and dew point created gorgeous hoar frost. It takes just a drop of sunlight to make it all disappear, I know that, so without hesitation I stopped to shoot. Like so many aspects of photography, it requires previous failure to learn this simple concept. It requires seeing the photograph in the review mirror, the turning around and not seeing the photograph at all, to know you should have stopped when your mind and heart screamed, stop! Not that every time that happens and you stop there is the photo of the lifetime, but there is nothing worse than the shadow of doubt, the “what if?” That’s why no matter what if my mind says there is a photograph, there is no time like the present!
Bird feeders are a great way to enjoy our wild heritage simply from our homes. In some regions supplemental feeding from feeders is critical. Feederwatch is a winter bird count at all of our feeders for science to find out more about all of this. I love bird feeders, I have quite a few at The Ranch and right now I’m at Sax-Zim bog and spent a few hours at some feeders yesterday doing exactly what Feederwatch is all about. When it comes to photography, you don’t want to photograph the birds on the feeder but on perches they use in their comings and goings. That’s what’s happening here. Check out the Feederwatch website, grab your lens and get involved!
Pine Grosbeak captured by Z 9 / Z400f4.5 w/Z1.4x
When to use B&W, that’s a great question that is asked so often. In the most technical sense, you need a clean black and a clean white as the starting point to a successful B&W print. The print only comes from time in the field with a camera. In this pursuit, the white is the harder of the two to find. But not in winter as much as snow in the right region abounds. We often though want to bring “warmth” to the winter scene. The juxtaposition easily works within the bounds of the viewfinder. This mean typically a color versus a B&W photo. On the other hand the drama and romance that B&W brings to a snowed covered landscape can tell a more powerful story. This brings us back to the question, when to shoot B&W? I’m so confused … not really but then I live in snow country and I think that’s the key. Not living in snow but rather your emotional response to snow, snow covered landscape, cold and telling its story visually. The one time I know I’ll go B&W is when the drama in the sky screams snow storm coming! The white of the snow against that landscape is power and that power comes out dramatically in B&W. But with all of this said, it still begs the question, B&W a natural for snow?
We just love our UPS guy (Haley is great too!)! Curt is 5th generation Montanan born and raised here in the Bitterroots and is all Montanan. He is sooooo into critters that when he delivers we talk and talk and talk about what’s about, what he’s seen and asking me what I’ve been pointing my lens at lately. He’s also a craftsman creating some great pieces. On his visit yesterday, our conversation went from owls to the deer. That’s because it’s that time of year when the Muleys and White-tails drop their antlers. Neither of us have actually seen it happen but two cool videos have been shared where you see them just shake their head and they pop off. We both were wondering if before that if they pounded them on something or, if they just do pop off. The funny thing in the two videos and one we’d seen of a moose was that when the shed hits the ground, it startles the critter so they run. So Kurt is looking at the deer tracking the bucks to find the sheds for his crafts and me to photograph the process. It’s that time to shed the past.