You Have 364 Days Left!

Yellowstone Grand Canyon grove captured by Z 9 / Z70-200f2.8

I know I know, the wrapping paper from this year has barely hit the floor and I’m talking about Christmas 2023! This is an old editorial photographer habitat, taking photographs this season in preparation for photographic needs for next. If your client asks for fall themed photos from you right now being winter, you can’t go out and take them. This means that if you didn’t take them this last fall, you don’t get the opportunity for a payday. That kinda thought process runs through my own photographic needs and one I have every year is, the photo for my Christmas greeting blog post. This years was taken last year so now I’m working on next years.

Yellowstone pine cone captured by Z 9 / Z24-120f4

These are two runner ups here for this year’s post. There are a couple of tricks I use in this process to pass along. Most important is to create the message this year you want to use next year. What does it look like, say and what type font? This is needed to determine in part the elements in the photograph. And it’s a lot easier to create this now while you’re still in the Holiday mood then next fall. With that, I take the photos and this trick is really important. Photos I take this year for next year I make a copy of the finished photo and change the file name to Xmas ’23#1, #2, etc. I do this so I can FIND the photos a year from now. All I have to do then next Christmas is to select the photo I like best, maybe make some tweaks and post. The panic is on in my mind, I only have 364 days left!

Background + Attitude

Ring-necked Duck captured by Z 9 / Z400f4.5 w/Z1.4x

Waterfowl have a number of really cool attributes making photographing them incredibly rewarding. There is the watery world they live in, it can be an instant clean background. There is their coloration which is the rainbow personified. Then there is their head shapes making them distinct and at times, comical. The fun is combining all of these elements into one frame that says it all. Take this Ring-billed Duck male as an example.

The top frame is my favorite and it came after spending about an hour with them. I started by finding a place to stand to get the reflections I wanted in the ripples, the background. They changed based on where I stood and what the water saw to reflect. There was a partial God scrim going so by making small moves, just inches, I could play the gray / blue patchy sky in the ripples. Then there was the light on the “purple” head feathers that the sky was helping as well. The indirect light was essential in getting that color. Then finally was putting them together with the “eyebrow” head shape with those orange eyes. The top shot was what I was after, the gallery below (click on arrows to see all) are the shots leading up to the final one. It was a ton of fun just working the duck to get the right combo of background plus attitude!

-8 And Dropping

American Goldfinch captured by Z 9 / Z400f4.5 with Z1.4x

It was -8 yesterday when I photographed this American Goldfinch waiting in line to get to the feeder. It’s -24 at the moment warming up to -10 today. In these conditions critters need those calories to stay warm. They need even more the free water, the line for the water feature /bird bath is even longer! I have the blind over the glass door so I don’t disturb causing them to burn more calories then necessary. They have enough problems with the Sharpies & Coop and then on Tuesday, the Goshawk moved in! I literally looked out the office window and saw it perched there. It stayed long enough out in the open for Sharon to see it once I picked my jaw up and then moved to the back side of the tree. We’ve watched it pick off a flicker and dove but not gotten glass on it, yet! I figure I’ll get serious about getting out and photographing it, once it gets warmer which, might be relative today!

Never – Gray Skies

Greater Sandhill Crane captured by Z 9 / Z400f4.5 w/Z1.4x

There is a very simple saying in wildlife photography, don’t photograph birds against a gray sky. Be it flight, perched, on water reflecting gray sky, just don’t do it. Why? That’s a great question! It’s all about light and when shooting up in those conditions, the range of light is greater than what the camera can hold. The shadow under the bird eliminates a whole lot of information. But here’s the deal, this long lived “guidelines” comes with “exceptions” you might say. One is, gray is referring to a slate, flat gray sky of the overcast kind. It’s not referring to a broken gray sky like you see above. It also assumes the sun is overhead and not just coming up on the horizon like in the photo above. But it has everything to do with celebrating the joy of flight. You know the saying about feeling gray. Well gray skies play right into that saying. Remember it’s your photograph, your story and you need to bring it to the viewer your way. Guidelines like about gray skies are there as a starting point, not ending point. Like everything, when you come up against such things, just FEEL it through and you might say, never – gray skies?

Only Need One #26009

Greater Sandhill Crane captured by Z 9 / Z400f4.5 with Z1.4x

Bosque del Apache NWR is a sacred part of our wild heritage preserving a spectacle a millennium in the making! I feel very fortunate to have been wondering its landscape for the past thirty-nine years with my camera. I have to admit I spent the vast majority of my time just watching more than shooting, both seem to place my warmth deep in my soul. Don’t get me wrong, I do take a few photos, this one is #26009 of Greater Sandhill Cranes to be filed in the digital library with another 16k in the slide file. A case could be made I’ve been there, done that yet #26009 proves that wrong. “It only takes one” the proverbial answer to how many photos does it take. My problem is, I want the one so I keep going out. For myself, #26009 comes really close in telling the story of the Sandhill Crane at Bosque del Apache, NM. At least, for today.

Add That Somethin to the Color

Snow Geese at sunrise captured by D5 / 800f5.6AFS

Photographer or not, we’ve all seen that killer sunrise or sunset. That puts the challenge on us to take our sunrise / sunset beyond the common to the uncommon. One real simple and effective way to do that is place an element(s) in that color to make the viewer stop and look. In this case, it’s a big flock of Snow Geese lifting off a pond at Bosque del Apache. You can then up this simple idea by having some pattern, symmetry to the elements you have in the frame. And in this case, shooting with the 800mm lens, I was able to isolate the most intense portion of the color with the geese. That’s just adding another layer to added somethin with the color.

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