Maybe Later?

Billy Mountain Goat captured by D4s / 80-400VR

It’s late summer and school for many’s kids begins shortly. All you gotta do is head to a National Park and you know lots and lots and lots of folks are on their summer vacation. For many photographers, this is their opportunity to get that shot, try that new lens or experience their thrill of critter photography for months. Perhaps you planned for the last six months to get to Logan Pass, Glacier Nat’l Park. You’ve seen killer photos of their Mountain Goats and you want one of your own. You got to Glacier, you even got through the reservation system so you can drive the Going to the Sun Road. You’re excited as there is no wildfire smoke, you even have a slight cloud cover nicely diffusing the light. You get to Logan Pass and even find a parking spot. Success!

You get out with your favorite lens (it doesn’t take much length) and you walk towards the large gathering of folks. You come up to them to see the Mountain Goats! But you take a second look cause the photos you saw from Logan Pass are not what you’re seeing in front of you. Most don’t realize the summer is not the best time to photograph big game or bears, or anything that grows a winter coat. That’s because they molt that thick coat off so they can grow a new one for winter while staying cool during the summer. I refer to them as “moth-eaten” but that’s not the cause of the ugly coat. And without that winter coat, well, they just don’t look the same. So if you’re summer plans include photography big game, maybe later?

The Subtlety of Color

Bandon Beach captured by D750 / 14-24f2.8

Our vision and the “system” it is connected to within our mind and heart is such an amazing sensor to our world! When you contemplate all the info it takes in and relates to us in a heartbeat and without any thought, there are simply no words for it. Translating that input we have visually and matching it with our cameras, that on the other hand can be hand-to-hand combat at times. At times, it can take the joy out of the simple moment we’re trying to capture. This is what I’ve done ever since digital hit the office to make it all simpler.

When I see red in the sky, I set the WB of my camera to Cloudy. Cloudy actually represents a Kelvin temp, 6000k. Our AWB has a limit and in many cases, it is trying to “generalize” the light/color when we want a very specific color, in this case, that of sunset (or sunrise). Many want to do this in post which is of course is an option. I prefer to get it right in the camera making it responsible for getting my memory recorded correctly so that later, I don’t have to think about what was the color, I know because the camera got it right. Often, I will dial the WB up to 9-10k when the color in the sky is that deep, blood-red like the sun trying to make its way through wildlife smoke. It is your memory, you need to preserve it the way that works best for you. I’d rather not think about it, just feel it so I make the camera earn its keep and get it right :-)

It’s Monsoon Season!

Monument Valley captured by Df / 18-35AF

The summer monsoon season has arrived and so far is producing spectacular weather. The emotion and moodiness of this weather can be visually incredibly exciting, challenging and dangerous. Being out in the weather leads to the great images if you’re ready. Are you?

The first basic is watching the weather which is a lot easier now with the assist of our iPhones. TMRWWeather, MyRadar, and Lightning Pro are my favorite apps for watching an approaching storm and being prepared. Being prepared includes having the rain shell, the Miops charged (and firmware updated), white towel packed (as you’re going to get wet), and knowing escape routes if you get surprised. Much of the big weather is in the southwest where flash floods can become lethal. You need to know focal length, exposure as well as safety to make the most of this glorious season for landscape photography!

“Come with long lense”

Great Horned Owl captured by D6 / 800f5.6

Sharon was out with Maggie when I received the text, “Come with long lense.” When Sharon has a typo, it’s big! Not the first time I’ve received such a text on The Ranch. When Sharon who knows her birds, knows the lens I would select texts me with something like this, I go running. Me being me, I’d not set the D6 / 800mm up on the tripod that I normally leave up since our last Adventure so it took me a couple of moments to get out. When I went out, I found Sharon & Maggie, and seeing Sharon, I knew exactly where to look. We’d heard the Great Horned Owl since day one on The Ranch but this is the first time we clearly saw her. That’s what the text was all about. I slowly walked up to Sharon and then slowly, over time approached the owl.

We had over thirty minutes with her as she seemed to be just moving through (though I was hoping it would be her morning roost). She permitted me to get within 40-50′ of her. At that point, a squirrel or something caught her attention and she moved to another perch and then went on the hunt. It was a great encounter and just goes to show, venturing past your door, there are photographs to be made! This evening during our thunderstorm, she was back just off from our OP staring over the “Back Nine” looking for sure a bite to eat. I hope she’s here for a long time to come!

Whoooooo Knew?

No Pygmy Owl fledgling captured by D6 / 180-400VR

Sharon and I first went to Madera Canyon back in 1982 to see the amazing hummingbirds that come to this summer Shangri-la. All the regular North American species make an appearance along with some of the finest from south of the border. It is a birder’s paradise that many don’t know even exists. There are many other unique, special, and rare species of birds that come to the canyon in the summer as well like the Elegant Trogan. And as long as I have been journeying there, the smallest owl in North America, the Elf Owl has nested in a telephone pole at Santa Rita Lodge. Over the years we’ve also had Whiskered, Western Screech, Spotted, and Flammulated Owl in the canon. At night, you hear them seemingly everywhere. But this year, there was a first for us, a Northern Pygmy Owl!

No Pygmy Owl fledgling captured by D6 / 180-400VR

One of my friends shooting there ran into another photographer who was watching and photographing the Pygmy Owl (owl is smaller than a dollar bill) nest. He was doing everything right which was so nice to see. Anyways, our friend Pat come back and reported what he learned. It was cool to hear about but since the other photographer was there first and had been working the nest for weeks, I just put it in the back of my mind. Days later, Sharon & I went for a walk birding and ended up down in the area where the photographer had been shooting. We had no idea where the nest was located so kept on birding. After a short time, I saw a small puffball trying to fly and land on a large branch. I knew instantly who it was (we use to rehab owls and had a Pygmy for months). Baby owls are first hatchlings then nestlings then branchlings and finally fledglings. We later learned that two of the three chicks became fledglings that morning. For the next five hours, we watched and photographed the two as they mostly slept on various branches and did silly baby owl stuff. Shortly before dark the parents came in with a freakin large lizard and fed the two chicks. It was a great afternoon and I was pleased to not only learn something new about the owls of Madera Canyon, but photograph them too. Whoooo knew?

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The Beauty of Wx

Thunderstorm Shelf Cloud, Rapid City, SD captured by crazy photographer with Z 6II / Z14-24f2.8 & Miops

Weather (wx) is the breath of the globe bringing with it demons and angels. A storm can be a curse and a blessing at the same time. It can bring needed goodness or evil, dark or bright, gray or brilliant red. I can go on and on but it’s simpler to wrap it all up in the simple word, emotion. It’s your emotional response to weather, you need to bring to your story, your photograph. Is there a trick to this? I like to keep one phrase in mind no matter the storm to bring out the beauty I see.

It’s the old phrase, every cloud has a silver lining. In our case though, I’m not looking for silver, but white. White and bright, no matter how big or small, when associated with dark, gloomy skies just makes that darkness, darker. The ferocity in the storm is implied even if not real, the imagination takes over. And when you tap a viewer’s imagination, the storyboard has been wiped clean and you can tell away. So just remember next cloud you have in your viewfinder, give it a little light and bright and you’ll bring out the beauty in wx.

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