Fall Color at 500AGL

Fall Color Lake St Mary captured by Z 9 / Z24-120
The mission was Calzones, seriously! Along the way, we’d do some splashing. The G-21 has another few left before be hangared for the winter. The fun of flying it / in it and splashing is hard to describe (even I got a little right seat time) but it’s something that’s done at every opportunity. While on final to land for those delicious Calzones (not our first rodeo for them) we went over the gorgeous fall color. The Tameracks are just turning color and mixed in with the pines, are stunning. And while it was not our mission, I couldn’t help but make a couple of clicks. It’s now on the calendar for its own photo mission next fall. Lots of potential to capture fall color at 500AGL!

In a Rut at The Ranch

White-tailed Deer bucks fill The Ranch captured by Z 9 / 180-400VR

We were in Yellowstone when Sharon received the text from our neighbor. “Have you guys seen the all male herd that has been moving through the property the last couple of days?” Ever since moving to The Ranch, we’ve had lots of does and three fawns born but big bucks have been far and few between. I knew that at some point with all the girls, the big boys would show up one fall. Well, we’ve had a few this week and it’s been fun! They are not really sure what to think of me. The does and fawns come right up to me which the bucks wouldn’t do normally. But then, I’ve been giving the does / fawns apples since day one so they think of me as simply as a source of food. But what are the bucks to do? If they want to get close to the does, they gotta get close to me. And it just so happens that besides having apples I have the Z 9 / 180-400VR. It’s a very fluid situation as the does are not really receptive yet to the bucks advances. The bucks, well they are guys and their hormones have their necks swollen and not thinking straight. The six pointer was the biggest buck to visit us so far with a number of five pointers. They are making it hard to get anything done as Sharon and I are on constant vigil walking around the house looking out the windows to see what they are up to. I know I was wanting all of this to happen but I never thought I’d be in a rut at The Ranch!

I Dunno

Lamar Valley captured by Z 9 / Z24-120 B&W / Charcoal / Graphite / Sepia (4 image gallery)
The Soda Butte B Stop is very well known to me, been there more than once. The views from there for critters and the vastness of Lamar Valley always make me pause no matter how bad I need the B Stop. Last week looking to the east the haze cast a nostalgic light over the mountains. It kinda looked like one of those really old post cards that were so popular back in the 1920’s. I wanted to take that home with me so I hit the i button on the Z 9 and dove into the Creative Filters. First was B&W, then #17 Charcoal then #18 Graphite, and finally #13 Sepia. I kept moving through them looking for that “postcard” in my EVF. It was so important to me, I even left a voice memo on the files to remind me forever (Photo Mechanic shows voice memos) that’s what I was thinking, feeling, when I took the photos. When I got to finishing the photos, I ran the Preset for each Creative Filter and I gotta admit, I’m no closer to seeing / feeling that “postcard” and it’s frustrating me. I’ll figure it out but right now, I dunno!

Fall out – Winter In!

Yellowstone Bison captured by Z 9 / Z400f4.5 w/Z1.4x

Wednesday was warm and delightful. Thursday morning the nip was in the air and today, the white stuff is gathering above to be on the ground tonight. By tomorrow night, up to two feet of the white stuff will be in place. Yep, fall out – winter in!

Signal of Fall

Rocky Mtn Elk captured by Z 9 / Z400f4.5

It was one of those classic Yellowstone scenarios, fall cold temps, a hot springs steaming like a train engine and the king of the Rocky wilderness, a bull elk. This Rocky Mtn Elk bull was busily replenishing his fat reserves after a night long bugling contest. He was looking for any grasses left that hadn’t turned yet, munching ever green blade he could. When we first came upon him, it was long before the sun had kissed the skies, he and we were all alone. Yellowstone is empty, basically having the park to ourselves permitting us to photograph to our hearts content with no one pushing the critters. We’ve been able to just watch the critters, letting go about their lives as we click away. The bottom shot, this was the case. The bull calmly munching away, the morning frost still on his back. For about twenty minutes we stood by the van up on the road enjoying his company as he did just the one thing. Then …

A truck went by, slowed down, slammed brakes and pulled in in a very big hurry. I knew it was a photographer. Argh. Dressed in camo (why I don’t know cause just his driving told the elk trouble was coming) rushing up passed us, who were there first and for a long time and very respectfully just watching and shooting, to get his shot. The top shot was the bulls reaction to the photographer. He was a classic example of a panic photographer moving here and there trying to get what he thought I’m sure would be the award winning shot. The elk reacted by trying to find an exit to get away from this photographer who was running from one end of the parking area to the other. We just stood there, it was obvious that our calm encounter has been thrown out the window. Finally, the bull just made a beeline for the trees. I not only regretted the total lack of ethics of the photographer, total lack of field craft, my shooting with the Z400. I needed to have a zoom to deal with this elk being pushed about by this other photographer. Oh, we never got any kind of aware winning photograph (neither did that other photographer) but we were rewarded with an amazing experience before the sun rose with the best signal of fall!

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Purdy Slice of Color

Two image pano of Yellowstone Color captured by Z 9 / Z14-24f2.8

Mother Nature did all the heavy liftin! This is a simple, hand-held two image pano taken of the purdiest grove of Aspens alongside the road. Backlight makes the color pop. F/22 creates the sunburst and ACR bought the two images together. Simply was a darn purdy slice of color!

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